Taiwan-New Zealand Dialogue

By Catherine George, Catherine Lee, Isis Mingli Lee, Ron Hanson, Wan-Jung Wei

22.12.2020

A panel discussion exploring new ways of making art and connecting with audiences amid Covid-19 in New Zealand and Taiwan. Held on October 24 2020 and organised by the Taiwan Cultural Policy Research Association, as part of the Tua-Tiu-Tiann International Festival of Arts (TTTIFA).

Listening Like Breathing

By Ron Hanson

09.12.2020

Although an influential figure in the development of sound art, New York-based Annea Lockwood hasn't experienced the same level of exposure in New Zealand as she has experienced internationally. In this piece, White Fungus' editor Ron Hanson outlines his journey discovering Lockwood's work and speaks to the artist about her impressive career and pivotal developments in her field.

Social Imagination

By Lance Pearce

20.11.2020

Xin Cheng's Seeing Like a Forest, made during her study at HFBK - University Of Fine Arts Hamburg from 2017-2019, focuses on issues such as sustainability, communities, and resourcefulness. Artist and writer Lance Pearce discusses these themes and their relevance to a world in the midst of a pandemic.

Forever Fresh

By Jessica Palalagi

06.11.2020

Jessica Palalagi, co-founder of the In*ter*is*land Collective, describes how their physical base in London, MOKU Pacific HQ, London, has served as a place for tagata Moana in the UK to create and meet since its inception in 2018, and reflects on the highs and lows of the past three years, including their exhibition in late 2019, Mana Moana, Mana Wahine.

 

An interview with Joel Kirkham

By Catherine Dale

22.10.2020

Based in Japan for the past ten years, Joel Kirkham founded Goya Curtain in Tokyo with fellow artist Bjorn Houtman in 2016, and has since been running the gallery. Together with Catherine Dale, he discusses the project space, the exhibitions it has hosted since opening, including Anoushka Akel's recent show (RED LEGS) HOT HEAD, and the future direction for Goya Curtain.

Playing with Gender at the Tropenmuseum

By Millie Riddell

08.10.2020

What a Genderful World, the current exhibition at Amsterdam's Tropenmuseum, focuses on gender in the modern world and features Aotearoa artist Yuki Kihara; the next representative for New Zealand at the Venice Biennale. Writer Millie Riddell explores how the works presented function within the anthropological lens used in this exhibition and the balance between the genuine discussions of gender and the corporate and colonial undertones of the presentation.

Everything Stops for the Baby

By Chloe Lane, Peter Gouge

23.09.2020

In this correspondence, writer Chloe Lane and artist Peter Gouge discuss the origins of Gouge’s MFA final exhibition at the University of Florida, the functionality of objects, the intersection of parenthood and practice, and the upcoming exhibition at Melanie Roger Gallery in Auckland where the documentation of Gouge's project will be displayed.

Time and Water

By Maya Wilson-Sanchez

03.09.2020

Presented earlier this year at Oakville Galleries in Canada, Shannon Te Ao's two-channel video and sound installation Ka mua, ka muri recently opened at Remai Modern, Saskatoon. In this part essay, part dialogue, writer Maya Wilson-Sanchez examines Te Ao's new project, and meditates on the relationships between indigenous populations in colonised nations.

Treatise as Exhibition

By Amira Gad

10.08.2020

In Part Two of this two-part conversation, curator Amira Gad and artist Simon Denny discuss Mine, an exhibition at MONA in Australia for which Denny created a 3D model of a proposed worker’s cage for Amazon; Proof of Work, Denny's 2018 curatorial project at Schinkel Pavillon in Berlin; as well as his participation in Vaudeville, a theatrical journalism experience organised by the Financial Times.

Treatise as Exhibition

By Amira Gad

20.07.2020

In the first piece of this two-part conversation, Aotearoa artist Simon Denny speaks about his recent projects, including his 2020 solo show at Altman Siegel in San Francisco which included former British Prime Minister Margaret Thatcher's scarves and 'Tech-Bro' Patagonia vests, and about corresponding with Peter Thiel after he came to see Denny's show at Michael Lett Gallery in Auckland in 2017.

Plants, love, and multispecies engagements

By Essi Kausalainen, Robyn Maree Pickens

09.07.2020

After first meeting at the Saari Residence in the southwest of Finland at the start of 2020, Aotearoa writer and poet Robyn Maree Pickens and Finnish performance artist Essi Kausalainen discuss how their diverse practices can mirror each other, about plants and the more-than-human world, along with the ramifications of Covid on their wellbeing and practice.

Abstracting Ambivalence

By Eloise Callister-Baker

25.06.2020

From putting her Doctor of Fine Arts on hold to dealing with the isolation caused by the Coronavirus lockdown, Vietnamese/Aotearoa artist Anh Trần discusses why she wanted to take on the two-year Rijksakademie artist program in the Netherlands, her move to Amsterdam and how it's impacted her practice and life.

Odysseus escapes the cyclops

By Zoe Crook

10.06.2020

A review of Invisible: a collaborative exhibition between the Detroit Cranbrook Academy of Art, Wellington’s Massey University and the Wrocław Academy of Art and Design. Held at BWA Gallery in Wrocław, Poland, in February 2020, the second iteration of Invisible includes New Zealand artists Kerry Ann-Lee, Simon Eastwood and Lisa Munnelly, Lee Jensen, Angela Kilford, and Jason O’Hara.

Making Art in the time of COVID-19

By Chloe Lane

28.05.2020

Two US-based New Zealand artists - Amy Howden-Chapman in New York and Emma McIntyre in Los Angeles - share their experience of the Covid-19 lockdown, how it has impacted their practice and everyday life, and discuss the possible ecological outcomes of the lockdown, including the shifting of art practices to the online world.

The Near Side

By Jon Bywater

13.05.2020

The 22nd Biennale of Sydney opened on 14 March 2020 and unfortunately had to close its doors only nine days later due to Covid-19. Prior to its closing, writer Jon Bywater managed to visit NIRIN, looking in particular at participating artists from Aotearoa including Emily Karaka, Elisapeta Heta & John Miller, Lisa Reihana, Kulimoe’anga ‘Stone’ Maka, and FAFSWAG.

Mata Aho Collective at the Dhaka Art Summit

By Pauline Autet

21.04.2020

We finish our first series focusing on the Asia region with Contemporary HUM Editor Pauline Autet interviewing Mata Aho Collective on their participation in the Dhaka Art Summit, Bangladesh in February 2020, where they partook in panel discussions and practised a type of waiata (song) called a pātere.

Resistance through Koloa

By Ysabelle Cheung

06.04.2020

The second publication from our special series focusing on the Asia region, looks to Hong Kong gallery Para Site, and its exhibition Koloa: Women, Art, and Technology. The exhibition centres on koloa, or customary women’s arts in Tonga, and features three artists from New Zealand: Tanya Edwards, Nikau Hindin, and Vaimaila Urale.

Between Light and Memory

By Sharmini Aphrodite

23.03.2020

In the first essay in our new series focusing on New Zealand arts activity in the Asia region, writer Sharmini Aphrodite reviews André Hemer's show, Images Cast by the Sun, at Yavuz Gallery in Singapore in 2019. Finding parallels between the paintings location in Singapore and their creation in Vienna, Aphrodite articulates their visceral qualities, and ability to transcend materiality.

Situated practices

By Kathryn Weir, Zhang Hanlu

07.03.2020

Held at Centre Pompidou in Paris, France, the most recent iteration of the ongoing project Cosmopolis included Aotearoa artists Lisa Reihana and Nandita Kumar amongst 40 international artists, all exploring technology and alternative ontologies. Chief curator, Kathryn Weir, and associated curator Zhang Hanlu share their reflections on Cosmopolis #2: rethinking the human.

Stirring Motion

By Stefanie Bräuer

20.02.2020

Art Historian Stefanie Bräuer takes us through Museum Tinguely’s recent comprehensive exhibition of New Zealand artist Len Lye, exploring Lye’s international life, his move from film to kinetic sculptures and the relationship between the museum's namesake, fellow kinetic sculptor Jean Tinguely.

Permanent Migration

By Signe Rose

06.02.2020

In a letter to her husband sculptor Martyn Reynolds, artist Signe Rose reflects on their life in Vienna as parents and artists, having moved to Austria from New Zealand in 2010. She also shares about feeling like a constant tourist, and about the ways in which her art is viewed by both European and New Zealand audiences. 

Handshake 5: In Dialogue

By Roseanne Bartley

22.01.2020

A look at Handshake, a project dedicated to developing emerging New Zealand jewellers nationally and internationally, and their recent exchange with Coda Museum in the Netherlands. Participating jewellers from Aotearoa include Neke Moa, Vivien Atkinson, Sarah Read, Becky Bliss, Vanessa Arthur, Sarah Walker-Holt, Sandra Schmid, Nadene Carr, Caroline Thomas, Brendon Monson, Nik Hanton, and Kelly McDonald.

Moana, Unimagined

By Millie Riddell

08.01.2020

The 16th Istanbul Biennial, titled The Seventh Continent, had a thematic focus on the large garbage patch currently occupying 3.4 million square kilometres of ocean, near Hawaii and Japan. Despite focusing on this area, Pacific artists were not present at the Biennial. Writer Millie Riddell explores the omission of Pacific artists, and what it means to not address or include the people most affected by environmental pollution and climate change.