Painting

Calendar

Yuki Kihara, John Pule and Ngahina Hohaia at PAN: The Pan-Austro-Nesian Arts Festival

17 July —
31 October 2021

Kaohsiung Museum of Fine Arts, Taiwan

Calendar

André Hemer, sensor glow

22 July —
28 August 2021

Kristin Hjellegjerde Gallery, London, U.K.

Calendar

Judy Millar at Mark Müller Gallery

27 June —
15 August 2020

Galerie Mark Müller, Zürich, Switzerland

Calendar

Emily Wolfe: Disappearing Act

17 October —
07 November 2020

M+P | Art Gallery, Oxfordshire, U.K.

Writing

An interview with Joel Kirkham

By Catherine Dale

22.10.2020

Based in Japan for the past ten years, Joel Kirkham founded Goya Curtain in Tokyo with fellow artist Bjorn Houtman in 2016, and has since been running the gallery. Together with Catherine Dale, he discusses the project space, the exhibitions it has hosted since opening, including Anoushka Akel's recent show (RED LEGS) HOT HEAD, and the future direction for Goya Curtain.

Writing

Everything Stops for the Baby

By Chloe Lane, Peter Gouge

23.09.2020

In this correspondence, writer Chloe Lane and artist Peter Gouge discuss the origins of Gouge’s MFA final exhibition at the University of Florida, the functionality of objects, the intersection of parenthood and practice, and the upcoming exhibition at Melanie Roger Gallery in Auckland where the documentation of Gouge's project will be displayed.

Writing

Abstracting Ambivalence

By Eloise Callister-Baker

25.06.2020

From putting her Doctor of Fine Arts on hold to dealing with the isolation caused by the Coronavirus lockdown, Vietnamese/Aotearoa artist Anh Trần discusses why she wanted to take on the two-year Rijksakademie artist program in the Netherlands, her move to Amsterdam and how it's impacted her practice and life.

Writing

Making Art in the time of COVID-19

By Chloe Lane

28.05.2020

Two US-based New Zealand artists - Amy Howden-Chapman in New York and Emma McIntyre in Los Angeles - share their experience of the Covid-19 lockdown, how it has impacted their practice and everyday life, and discuss the possible ecological outcomes of the lockdown, including the shifting of art practices to the online world.

Writing

The Near Side

By Jon Bywater

13.05.2020

The 22nd Biennale of Sydney opened on 14 March 2020 and unfortunately had to close its doors only nine days later due to Covid-19. Prior to its closing, writer Jon Bywater managed to visit NIRIN, looking in particular at participating artists from Aotearoa including Emily Karaka, Elisapeta Heta & John Miller, Lisa Reihana, Kulimoe’anga ‘Stone’ Maka, and FAFSWAG.

Writing

Between Light and Memory

By Sharmini Aphrodite

23.03.2020

In the first essay in our new series focusing on New Zealand arts activity in the Asia region, writer Sharmini Aphrodite reviews André Hemer's show, Images Cast by the Sun, at Yavuz Gallery in Singapore in 2019. Finding parallels between the paintings location in Singapore and their creation in Vienna, Aphrodite articulates their visceral qualities, and ability to transcend materiality.

Writing

On Emptiness

By Rosa Gubay

02.10.2019

Oliver Perkins and Patrick Lundberg’s recent show On Emptiness at FOLD Gallery in London presented a conversation between the two artists' work, focusing on their object-centric painting practice. Writer Rosa Gubay analyses their use of negative space and the varying forms it can take.

Writing

He Landed in a Place of Absolute Magic

By Hamish Coney, Kevin Ireland

03.04.2018

Although born in Yorkshire, the late artist Michael Illingworth immigrated to Aotearoa at age 20 in the early 1950s, before returning to England and Europe for a brief but formative period in 1959. Hamish Coney interviews the poet and writer Kevin Ireland OBE, one of Illingworth’s oldest New Zealand friends, on their London years (1959-61); a period of, as Ireland explains, 'high-octane education and inspiration'.

Writing

An interview with Martin Basher

By André Hemer

16.03.2018

A conversation between two offshore New Zealand artists: Vienna-based André Hemer and New York-based Martin Basher. Their chat touches on producing art in Trump-era US, display-based practice, Basher’s doctorate, and living in NYC as a New Zealander.

Writing

Judy Millar: The Sinew of Space

By Jodie Dalgleish

12.02.2018

Jodie Dalgleish considers Judy Millar's exhibition Swallowed in Space at Galerie Mark Müller in Zurich (2017), reflecting on the way Millar's affective paintings can activate space to create a 'bodily-felt' experience and extensively draws on a dialogue between the writer and the artist evaluating 'what painting does to us'.

Writing

NZ at Venice

By Will Gresson

20.11.2017

London-based New Zealand writer Will Gresson looks back at the way New Zealand has presented itself at the Venice Biennale, since first officially taking part in 2001. In particular, Gresson shares a personal response to the last five national projects and some thoughts on the relevance of cross-national presentations in the future.

Writing

A New Commonwealth Internationalism

By Aaron Lister, Damian Skinner

01.03.2017

Writer and curator Aaron Lister talks to art historian Damien Skinner about the 'New Commonwealth Internationalism', a moment of post-WWII postcolonial internationalism in the British art scene, and its influence on British and New Zealand art history.

Writing

A Man for all Seasons

By Anna Cahill

16.02.2017

Writer Anna Cahill looks at the life and work of New Zealand painter Douglas MacDiarmid, from his early life in Taihape and Christchurch to his life as an expatriate painter in Paris, where he has been living permanently since 1951.

Writing

A Material Direction

By Jodie Dalgleish

08.12.2016

Jodie Dalgleish talks to New Zealand/German artist André Hemer about his recent series A Hot Mess, his PhD practice and his experience as an ex-pat New Zealander.