LGBTQIA+

Calendar

FAFSWAG Arts Collective, Asia TOPA Radar

6.30PM — 9.00PM
27 March 2024

The Substation, Naarm Melbourne, Australia

Calendar

PHOTO 2024: International Festival of Photography

01 March —
24 March 2024

various venues across Naarm Melbourne, Australia

Writing

We Work Well Together

By Julia Craig

11.02.2024

Presented at Phillida Reid, Claudia Kogachi’s Labour of Love and Nova Paul’s Hawaiki offer frames through which to view the role of collaborative practice in building worlds of love, care, and self-determination.

Calendar

FAFSWAG Arts Collective, Queer PHOTO: Alteration

27 January —
24 March 2024

The Substation, Melbourne, Australia

Project

Forever Fresh Talanoa Series

Partnership

A collaboration between In*ter*is*land Collective and Contemporary HUM consisting of four edited online talanoa (conversations) between several tagata Moana (Māori and Pasifika people) across the globe which centre around the principles of talanoa; ofa, mafana, malie and faka'apa'apa (love, warmth, humour and respect) and the ability to have a "reciprocal knowledge exchange".

The talanoa within this series will focus on topics such as life in the diaspora, moana futurism, queer identities, and ReMoanafication, and all will be individually responded to in written form by Anne-Marie Te Whiu (Te Rarawa), reminding us of our intricate connection and shared ancestry in Te Moananui-a-Kiwa.

Writing

Dear Ella

By daniel ward

05.09.2023

In a letter to Aotearoa New Zealand artist Ella Sutherland, Berlin-based poet daniel ward reflects on the sensual role of printing technologies and the passage of queer narratives in Sutherland’s practice during her twelve-month residency at Künstlerhaus Bethanien, Berlin.

Calendar

FAFSWAG Arts Collective, Alteration

14 October —
25 November 2023

Trinity Square Video, Toronto, Canada

Calendar

FAFSWAG Arts Collective in 22nd Biennial Sesc Videobrasil: Memory is an editing session

18 October 2023 —
25 February 2024

Sesc 24 de Maio, São Paulo, Brazil

Calendar

Pelenakeke Brown, Don't mind if I do

07 July 2023 —
07 July 2024

MoCA Cleveland, Cleveland, USA

Writing

The Octopus Against a Sharp White Background

By Amit Noy

14.05.2023

Writer and choreographer Amit Noy reviews Atamira Dance Company’s performance of Te Wheke in the Lenape territory of New York City, and finds a work enlivened by indelible performances and critical Indigenous inquiry.

Calendar

Richard Frater, What remains of a naturalist

10 December 2023 —
27 April 2024

Klosterruine, Berlin, Germany

Writing

“I’m a burnt tongue, crying for the promised river.”

By Anne-Marie Te Whiu

28.04.2023

In a wide-ranging conversation ahead of the release of poet and performer Daley Rangi’s poetry collection Burnt Tongue, Associate Editor for HUM Anne-Marie Te Whiu talks with Rangi about the role of stories, language and community, on the Gadigal lands of Sydney, Australia. 

Calendar

Sione Tuívailala Monū, Queer Encounters

17 February —
05 March 2023

Art Gallery of NSW, Sydney, Australia

Calendar

FAFSWAG, LET THE WHOLE GODDAMN THING SHORT-CIRCUIT

16 March —
15 April 2023

Toxi Space, Zurich, Switzerland

Writing

A Place You Didn’t Know That You Didn’t Know About

By Chloe Lane

06.12.2022

Chloe Lane speaks to Aotearoa artist Imogen Taylor on finishing their six-month residency at The International Studio and Curatorial Program (ISCP) in New York City, discussing Taylor's newest body of work, what it's like to be a contemporary artist from Aotearoa in New York City, and what living with a ball python can teach you about fear.

Writing

FAFSWAG at documenta fifteen

By Will Fredo

20.09.2022

Berlin-based artist and writer Will Fredo discusses the decolonial gestures at play in Aotearoa-based art collective FAFSWAG’s contributions to documenta fifteen, encompassing works that champion unapologetic self-expression, queer joy and the power of futurity in rejecting colonial inheritances.

Writing

Meandering Gestures, Infiltrating Language

By Imaad Majeed

08.09.2022

Artist, curator and writer Imaad Majeed talks with Aotearoa artist Areez Katki about his participation in Language is Migrant, the latest edition of the international arts festival Colomboscope, in Sri Lanka, and about using embroidery and textiles to explore ideas of displacement, trajectories of violence, and the colonial legacy of his own Parsi heritage.

Writing

documenta fifteen or lumbung one?

By Bruce E. Phillips

12.08.2022

For documenta fifteen, the arts collective FAFSWAG were invited to participate as members of the lumbung process established by this year’s curatorial collective ruangrupa. In the absence of the trophy artist phenomenon so entrenched within mega-exhibitions, Bruce E. Phillips responds to the work of different participating collectives exhibiting in Kassel and discusses how introducing a non-European exhibition-making concept into the heart of arguably Europe’s most revered art event was bound to confound those unwilling to consider a differing perspective.

Writing

An interview with Yuki Kihara

By Contemporary HUM

24.05.2022

In the opening week of the 2022 Biennale di Venezia, HUM sat down with the artist representing Aotearoa, Yuki Kihara, to discuss her exhibition Paradise Camp, and what it means to bring a Pasifika, Fa'afafine voice to the international audience of this major event.

Writing

An interview with the curators of 'Paradise Camp'

By Contemporary HUM, Ioana Gordon-Smith, Natalie King

24.05.2022

In the opening week of the 2022 Biennale di Venezia, HUM sat down with the Aotearoa New Zealand pavilion’s Curator, Natalie King, and Assistant Pasifika Curator Ioana-Gordon Smith, to talk about bringing Yuki Kihara’s Paradise Camp to Venice.

Calendar

Areez Katki, Vanishing Act

18 June —
08 July 2022

Centre A: Vancouver International Centre for Contemporary Asian Art, Vancouver, Canada

Writing

HUM live from the 2022 Venice Biennale

By Contemporary HUM

24.04.2022

From 20 - 24 April 2022, HUM brings you live coverage, exclusive images and videos from the opening week of The Milk of Dreams, The 59th International Art Exhibition – La Biennale di Venezia, including Yuki Kihara's Paradise Camp for the New Zealand Pavilion. Stay tuned!

Writing

Reimagined Futures

By Johanna Bear

23.03.2022

Featuring work from Aotearoa artists Edith Amituanai, Brian Fuata, Christina Pataialii, Shannon Novak and Shannon Te Ao as well as collaborators from Aotearoa in the project Kā Paroro o Haumumu: Coastal Flows / Coastal Incursions, this piece from writer and curator Johanna Bear considers the 10th Asia Pacific Triennial’s celebration of Indigenous futures, collaborative and community-based practices, and new ways of understanding the world around us. 

Writing

Talk, Protest, Revolt

By Frances Loeffler

06.08.2021

In the 2021 documentary Revolt She Said, filmmaker Louise Lever traces the histories and critical concerns of feminist movements in Aotearoa. Frances Loeffler reflects on the complex questions raised by the film and the impact of recent feminist movements in the art world. 

Writing

Maddie Leach: The Grief Prophesy

By Hjalmar Falk

08.06.2018

Maddie Leach's project The Grief Prophesy, created for the Gothenburg International Biennale for Contemporary Art (GIBCA) 2017, addresses the disturbing and intriguing circumstances surrounding an alleged Satanic murder, committed by members of a well-known Swedish black metal band. Swedish historian Hjalmar Falk discusses the work.

Writing

Nature at its Queerest

By Ulrike Gerhardt

20.05.2017

Ulrike Gerhardt reponds to Berlin-based New Zealand artist Alicia Frankovich's first major solo show in Germany, OUTSIDE BEFORE BEYOND at Kunstverein für die Rheinlande und Westfalen, Düsseldorf. 

Writing

Samoan Queer Lives (2018)

By Pauline de Souza

04.03.2019

Eleven years in the making, this is the first publication of its kind; a collection of 14 short stories from fa'afafine, or transgender and queer Samoans, focusing on their individual experiences in historic and modern times. Edited by artists Dan Taulapapa McMullin and Yuki Kihara, and published by Little Island Press in October 2018. 

Writing

Forever Fresh Talanoa Series

By Anne-Marie Te Whiu, Isoa Tupua, Lyall Hakaraia

04.04.2021

Our second offering in this four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees Lyall Hakaraia and Isoa Tupua discuss queer communities/scenes in London, witnessing the bare minimum, gentrification, and how to clock an invite to a sex party. Written response by Brisbane-based poet, editor, weaver and festival director Anne-Marie Te Whiu.