LGBTQIA+
Writing
FAFSWAG at documenta fifteen
By Will Fredo
20.09.2022
Berlin-based artist and writer Will Fredo discusses the decolonial gestures at play in Aotearoa-based art collective FAFSWAG’s contributions to documenta fifteen, encompassing works that champion unapologetic self-expression, queer joy and the power of futurity in rejecting colonial inheritances.
Writing
Meandering Gestures, Infiltrating Language
By Imaad Majeed
08.09.2022
Artist, curator and writer Imaad Majeed talks with Aotearoa artist Areez Katki about his participation in Language is Migrant, the latest edition of the international arts festival Colomboscope, in Sri Lanka, and about using embroidery and textiles to explore ideas of displacement, trajectories of violence, and the colonial legacy of his own Parsi heritage.
Writing
documenta fifteen or lumbung one?
By Bruce E. Phillips
12.08.2022
For documenta fifteen, the arts collective FAFSWAG were invited to participate as members of the lumbung process established by this year’s curatorial collective ruangrupa. In the absence of the trophy artist phenomenon so entrenched within mega-exhibitions, Bruce E. Phillips responds to the work of different participating collectives exhibiting in Kassel and discusses how introducing a non-European exhibition-making concept into the heart of arguably Europe’s most revered art event was bound to confound those unwilling to consider a differing perspective.
Writing
An interview with Yuki Kihara
By Contemporary HUM
24.05.2022
In the opening week of the 2022 Biennale di Venezia, HUM sat down with the artist representing Aotearoa, Yuki Kihara, to discuss her exhibition Paradise Camp, and what it means to bring a Pasifika, Fa'afafine voice to the international audience of this major event.
Writing
An interview with the curators of 'Paradise Camp'
By Contemporary HUM, Ioana Gordon-Smith, Natalie King
24.05.2022
In the opening week of the 2022 Biennale di Venezia, HUM sat down with the Aotearoa New Zealand pavilion’s Curator, Natalie King, and Assistant Pasifika Curator Ioana-Gordon Smith, to talk about bringing Yuki Kihara’s Paradise Camp to Venice.
Calendar
Areez Katki, Vanishing Act
18 June —
08 July 2022
Centre A: Vancouver International Centre for Contemporary Asian Art, Vancouver, Canada
Writing
HUM live from the 2022 Venice Biennale
By Contemporary HUM
24.04.2022
From 20 - 24 April 2022, HUM brings you live coverage, exclusive images and videos from the opening week of The Milk of Dreams, The 59th International Art Exhibition – La Biennale di Venezia, including Yuki Kihara's Paradise Camp for the New Zealand Pavilion. Stay tuned!
Writing
Reimagined Futures
By Johanna Bear
23.03.2022
Featuring work from Aotearoa artists Edith Amituanai, Brian Fuata, Christina Pataialii, Shannon Novak and Shannon Te Ao as well as collaborators from Aotearoa in the project Kā Paroro o Haumumu: Coastal Flows / Coastal Incursions, this piece from writer and curator Johanna Bear considers the 10th Asia Pacific Triennial’s celebration of Indigenous futures, collaborative and community-based practices, and new ways of understanding the world around us.
Writing
Talk, Protest, Revolt
By Frances Loeffler
06.08.2021
In the 2021 documentary Revolt She Said, filmmaker Louise Lever traces the histories and critical concerns of feminist movements in Aotearoa. Frances Loeffler reflects on the complex questions raised by the film and the impact of recent feminist movements in the art world.
Project
Forever Fresh Talanoa Series
Partnership
A collaboration between In*ter*is*land Collective and Contemporary HUM consisting of four edited online talanoa (conversations) between several tagata Moana (Māori and Pasifika people) across the globe which centre around the principles of talanoa; ofa, mafana, malie and faka'apa'apa (love, warmth, humour and respect) and the ability to have a "reciprocal knowledge exchange".
The talanoa within this series will focus on topics such as life in the diaspora, moana futurism, queer identities, and ReMoanafication, and all will be individually responded to in written form by Anne-Marie Te Whiu (Te Rarawa), reminding us of our intricate connection and shared ancestry in Te Moananui-a-Kiwa.
Writing
Maddie Leach: The Grief Prophesy
By Hjalmar Falk
08.06.2018
Maddie Leach's project The Grief Prophesy, created for the Gothenburg International Biennale for Contemporary Art (GIBCA) 2017, addresses the disturbing and intriguing circumstances surrounding an alleged Satanic murder, committed by members of a well-known Swedish black metal band. Swedish historian Hjalmar Falk discusses the work.
Writing
Nature at its Queerest
By Ulrike Gerhardt
20.05.2017
Ulrike Gerhardt reponds to Berlin-based New Zealand artist Alicia Frankovich's first major solo show in Germany, OUTSIDE BEFORE BEYOND at Kunstverein für die Rheinlande und Westfalen, Düsseldorf.
Writing
Samoan Queer Lives (2018)
By Pauline de Souza
04.03.2019
Eleven years in the making, this is the first publication of its kind; a collection of 14 short stories from fa'afafine, or transgender and queer Samoans, focusing on their individual experiences in historic and modern times. Edited by artists Dan Taulapapa McMullin and Yuki Kihara, and published by Little Island Press in October 2018.
Writing
Forever Fresh Talanoa Series
By Anne-Marie Te Whiu, Isoa Tupua, Lyall Hakaraia
04.04.2021
Our second offering in this four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees Lyall Hakaraia and Isoa Tupua discuss queer communities/scenes in London, witnessing the bare minimum, gentrification, and how to clock an invite to a sex party. Written response by Brisbane-based poet, editor, weaver and festival director Anne-Marie Te Whiu.