Tiffany Singh, We/Women's Boundary Narrative ~ Continuity, Flow and Convergence

25 June —
04 September 2022

Taitung Art Museum, Taitung, Taiwan



By Clémentine Deliss


Writer and curator Clémentine Deliss reviews Aotearoa artist Ruth Buchanan’s solo exhibition at the Kunstmuseum Basel in Switzerland, an artwork as exhibition that reconfigures collecting history, curatorial practices and institutional norms.


Areez Katki, Vanishing Act

18 June —
08 July 2022

Centre A: Vancouver International Centre for Contemporary Asian Art, Vancouver, Canada


Miranda Bellamy and Amanda Fauteux, Terrarium

11 June —
29 August 2022

Owens Art Gallery, Sackville, Canada


An interview with Yuki Kihara

By Contemporary HUM


In the opening week of the 2022 Biennale di Venezia, HUM sat down with the artist representing Aotearoa, Yuki Kihara, to discuss her exhibition Paradise Camp, and what it means to bring a Pasifika, Fa'afafine voice to the international audience of this major event.


An interview with the curators of 'Paradise Camp'

By Contemporary HUM, Ioana Gordon-Smith, Natalie King


In the opening week of the 2022 Biennale di Venezia, HUM sat down with the Aotearoa New Zealand pavilion’s Curator, Natalie King, and Assistant Pasifika Curator Ioana-Gordon Smith, to talk about bringing Yuki Kihara’s Paradise Camp to Venice.


Amanda Newall, Sensitivity Training

20 May —
30 September 2022

Gabrovo Museum of Humor and Satire, Gabrovo, Bulgaria


The Mind’s Eye

By Susanne Prinz


On the occasion of Gill Gatfield’s first solo exhibition in Berlin, Susanne Prinz, Director of Kunstverein am Rosa-Luxembourg-Platz in Berlin, Germany, reflects on the practice of the Aotearoa artist—from her use of ancient, salvaged materials to her work creating an audience-activated virtual reality experience, and the complex resonances of memory, reality and consciousness in her work. 


Talia Smith, Don't be bashful, wear the flower behind your ear

29 April —
24 July 2022

Murray Art Museum, Albury, Australia



08 April —
04 September 2022

Ludwig Múzeum, Budapest, Hungary


HUM live from the 2022 Venice Biennale

By Contemporary HUM


From 20 - 24 April 2022, HUM brings you live coverage, exclusive images and videos from the opening week of The Milk of Dreams, The 59th International Art Exhibition – La Biennale di Venezia, including Yuki Kihara's Paradise Camp for the New Zealand Pavilion. Stay tuned!


Betty Collings and 'To Begin, Again: A Prehistory of the Wex, 1968–89'

By Dan Munn


Aotearoa artist and curator Betty Collings acted as Director of the Ohio State University’s Gallery of Fine Art from 1974 to 1980, amassing during that time a significant collection of then-contemporary artworks. With many of these works showcased at the recent exhibition To Begin, Again: A Prehistory of the Wex, 1968-89, Dan Munn looks back to Collings’ influence as a Director and her own, long-running artistic career. 


Naahdohbii: To Draw Water & What It Means To Come Together

By Franchesca Hebert-Spence


Featuring Aotearoa artists Israel Birch, Nikau Hindin, Jeremy Leatinu’u, Nova Paul, Rachel Rakena and Keri Whaitiri, the inaugural Indigenous Triennial at the Winnipeg Art Gallery/Qaumajuq (WAG/Q) in Winnipeg, Naadohbii: To Draw Water, presents a collaborative curatorial approach to Indigenous artists’ work—Franchesca Hebert-Spence visits the exhibition and talks to the curators about the curatorial process, the opportunities offered through cross-cultural exchange, and the adherence to the specificities of place and history fostered through the exhibition.


Ruth Buchanan, Heute nacht geträumt: Pre-history – Future

19 March —
14 August 2022

Kunstmuseum Basel, Basel, Switzerland


Settling troubled waters with Emma McIntyre

By Megan Macnaughton


A new series of works by LA-based Aotearoa painter Emma McIntyre form the artist’s first solo exhibition in Europe, Up bubbles her amorous breath—a feminised reimagining of mythological landscapes and our relationship to them. Writer Megan Macnaughton visits the exhibition and talks with McIntyre about her developing process of painting, using her whole body, to create vividly imagined abstract works. 


Gill Gatfield in Personal Structures

23 April —
27 November 2022

Palazzo Bembo, Venice, Italy


Fiona Amundsen, The Medium is the Message: Flags and Banners

10 April —
23 October 2022

The Wende Museum of Cold War, Los Angeles, USA


Alicia Frankovich, An eeriness on the Plain

18 June —
23 July 2022

1301SW, Melbourne, Australia


Vaimaila Urale, Unweaving the binary code, Hannah Ryggen Triennale 2022

25 March —
07 August 2022

Kunsthall Trondheim, Trondheim, Norway