Writing

An interview with the curators of 'Paradise Camp'

By Contemporary HUM, Ioana Gordon-Smith, Natalie King

24.05.2022

In the opening week of the 2022 Biennale di Venezia, HUM sat down with the Aotearoa New Zealand pavilion’s Curator, Natalie King, and Assistant Pasifika Curator Ioana-Gordon Smith, to talk about bringing Yuki Kihara’s Paradise Camp to Venice.

Writing

The Mind’s Eye

By Susanne Prinz

11.05.2022

On the occasion of Gill Gatfield’s first solo exhibition in Berlin, Susanne Prinz, Director of Kunstverein am Rosa-Luxembourg-Platz in Berlin, Germany, reflects on the practice of the Aotearoa artist—from her use of ancient, salvaged materials to her work creating an audience-activated virtual reality experience, and the complex resonances of memory, reality and consciousness in her work. 

Calendar

FAFSWAG at documenta15

18 June —
25 September 2022

documenta15, Kassel, Germany

Calendar

Paul Handley, Saccades

30 April —
28 May 2022

Void_Melbourne, Melbourne, Australia

Calendar

Dane Mitchell, EXTENDED PRESENT – TRANSIENT REALITIES

08 April —
04 September 2022

Ludwig Múzeum, Budapest, Hungary

Writing

HUM live from the 2022 Venice Biennale

By Contemporary HUM

24.04.2022

From 20 - 24 April 2022, HUM brings you live coverage, exclusive images and videos from the opening week of The Milk of Dreams, The 59th International Art Exhibition – La Biennale di Venezia, including Yuki Kihara's Paradise Camp for the New Zealand Pavilion. Stay tuned!

Writing

Betty Collings and 'To Begin, Again: A Prehistory of the Wex, 1968–89'

By Dan Munn

07.04.2022

Aotearoa artist and curator Betty Collings acted as Director of the Ohio State University’s Gallery of Fine Art from 1974 to 1980, amassing during that time a significant collection of then-contemporary artworks. With many of these works showcased at the recent exhibition To Begin, Again: A Prehistory of the Wex, 1968-89, Dan Munn looks back to Collings’ influence as a Director and her own, long-running artistic career. 

Writing

Reimagined Futures

By Johanna Bear

23.03.2022

Featuring work from Aotearoa artists Edith Amituanai, Brian Fuata, Christina Pataialii, Shannon Novak and Shannon Te Ao as well as collaborators from Aotearoa in the project Kā Paroro o Haumumu: Coastal Flows / Coastal Incursions, this piece from writer and curator Johanna Bear considers the 10th Asia Pacific Triennial’s celebration of Indigenous futures, collaborative and community-based practices, and new ways of understanding the world around us. 

Writing

Naahdohbii: To Draw Water & What It Means To Come Together

By Franchesca Hebert-Spence

10.03.2022

Featuring Aotearoa artists Israel Birch, Nikau Hindin, Jeremy Leatinu’u, Nova Paul, Rachel Rakena and Keri Whaitiri, the inaugural Indigenous Triennial at the Winnipeg Art Gallery/Qaumajuq (WAG/Q) in Winnipeg, Naadohbii: To Draw Water, presents a collaborative curatorial approach to Indigenous artists’ work—Franchesca Hebert-Spence visits the exhibition and talks to the curators about the curatorial process, the opportunities offered through cross-cultural exchange, and the adherence to the specificities of place and history fostered through the exhibition.

Calendar

Dane Mitchell, Double Vision

21 April —
12 June 2022

Tai Kwun, Hong Kong

Writing

Settling troubled waters with Emma McIntyre

By Megan Macnaughton

23.02.2022

A new series of works by LA-based Aotearoa painter Emma McIntyre form the artist’s first solo exhibition in Europe, Up bubbles her amorous breath—a feminised reimagining of mythological landscapes and our relationship to them. Writer Megan Macnaughton visits the exhibition and talks with McIntyre about her developing process of painting, using her whole body, to create vividly imagined abstract works. 

Calendar

Kate Newby, Reclaim the earth

15 April —
04 September 2022

Palais de Tokyo, Paris, France

Calendar

Fiona Amundsen, The Medium is the Message: Flags and Banners

10 April —
23 October 2022

The Wende Museum of Cold War, Los Angeles, USA

Calendar

Alicia Frankovich, An eeriness on the Plain

18 June —
23 July 2022

1301SW, Melbourne, Australia

Calendar

Mata Aho Collective at the Toronto Biennial of Art

26 March —
05 June 2022

Arsenal Contemporary Art Toronto, Canada

Writing

A painter’s painter

By Clare Gemima

07.02.2022

Aotearoa artist Christina Pataialii features in the fifth New Museum Triennial, one of the world’s leading exhibitions for emerging artists. New York-based writer Clare Gemima visits the exhibition and reflects on Pataialii’s rule-breaking approach to painting technique, and the artist’s search for a language for her family history, identity and the cultural “in-between”.

Writing

Caretaker to Caretaker

By Bopha Chhay, Paula Booker

18.01.2022

In Part One of this interview, Vancouver-based Aotearoa curators Paula Booker and Bopha Chhay talk about Chhay’s work as director of non-profit artist-run initiative Artspeak, the meaning of care in a curating role, the relationship between writing and art, and the place of artist-run initiatives in Canada and Aotearoa.

Writing

On Civicness and Participating in Public Life through Art Practice - Panel discussion transcript

By Cat Auburn, Daniel Malone, Pauline Autet, Ruth Buchanan

14.12.2021

For Contemporary HUM’s third panel in October 2021, On Civicness, we sat down with Cat Auburn, Ruth Buchanan, and Daniel Malone in Berlin to talk about their practices, recent projects and what “civicness” means to them as Aotearoa artists working abroad—spanning Polish experimental theatre, the memory functions of NFTs and the power relations of collecting institutions. Read the full transcript of the panel discussion here!