Calendar

Shannon Te Ao, 15th Gwangju Biennale Pavilion

07 September —
01 December 2024

Suha Gallery, Gwangju, South Korea

Calendar

Shiraz Sadikeen, Gasworks residency

30 September —
16 December 2024

Gasworks, London, UK

Calendar

Kate Newby, WHO IS THIS SONG?

21 September —
09 November 2024

COOPER COLE, Tkaronto Toronto, Canada

Calendar

Busan Biennale 2024: Seeing in the Dark

17 August —
20 October 2024

various locations in Busan, South Korea

Calendar

Miranda Bellamy and Amanda Fauteux, Radicant

21 September —
30 November 2024

YYZ Artists' Outlet, Tkaronto Toronto, Canada

Calendar

Deep Material Energy (DME III)

14 September —
16 November 2024

RMIT Galley, Naarm Melbourne, Australia

Calendar

Matthew Galloway, Empty Vessels

01 September —
30 September 2024

Piccadilly Lights, London, UK

Writing

Crossing Currents: Episode 7

By Contemporary HUM

10.08.2024

Robert Jahnke (Ngāi Taharora, Te Whānau a Iritekura, Te Whānau a Rakairo o Ngāti Porou) speaks to Contemporary HUM about his work Te Wepu MMXXIII, which is featured in the 7th edition of Personal Structures in Venice. Jahnke discusses the influence of Te Wepu, the battle flag of the 19th-century Māori prophet Te Kooti, and how the work highlights a formal whakapapa (genealogy) between Te Kooti, who was not only a religious visionary but an artistic innovator in his own right, and contemporary references to the flag, including by the late sculptor and painter Paratene Matchitt.

Writing

Crossing Currents: Episode 5

By Contemporary HUM

27.07.2024

Contemporary HUM speaks to esteemed Māori sculptor Fred Graham, a pioneering figure in contemporary Māori art who is part of a generation that forged a new path in ngā toi Māori in post-war Aotearoa. Reflecting on his practice of over 70 years, Graham discusses the influence of his teaching and the importance of friends and family, as well as the experience of exhibiting alongside his son, Brett Graham, at the Venice Biennale.

Calendar

Vivian Lynn, Beyond the Either/Or

23 July —
21 September 2024

Phillida Reid, London, UK

Calendar

Greg Semu, Sacred + Forbidden

03 July —
23 September 2024

Museum of Contemporary Art Australia (MCA), Gadigal Lands Sydney, Australia

Calendar

Duty of Care: Part One

29 June —
22 September 2024

Institute of Modern Art, Meanjin Brisbane, Australia

Calendar

Amanda Newall and Ecke Bonk, Stranded – W(h)ale a Remake Portfolio – More Than This, Even

06 June —
29 September 2024

Akureyri Art Museum, Akureyri, Iceland

Calendar

Brent Harris: Surrender & Catch

06 July —
20 October 2024

Art Gallery of South Australia, Tarntanya Adelaide, Australia

Calendar

Ruth Buchanan for Artspace Aotearoa: 292 Karangahape Road

09 March 2024 —
01 January 2029

GfZK, Leipzig, Germany

Calendar

Lisa Reihana, GLISTEN

14 June 2024 —
30 March 2025

National Gallery Singapore, Singapore

Writing

Crossing Currents: Episode 3

By Contemporary HUM

06.07.2024

Contemporary HUM interviews artist Caitlin Devoy about BODYOBJECTS, her presentation in the 2024 edition of Personal Structures in Venice. Speaking to HUM in April 2024, Devoy discusses using humour as a feminist strategy to challenge the power relations encoded in gallery spaces, resulting in works that refuse disembodied objectivity in favour of tactility, subjectivity and intuition.

Writing

Crossing Currents: Episode 2

By Contemporary HUM

29.06.2024

Contemporary HUM interviews Brett Graham (Ngāti Koroki Kahukura, Tainui) about Wastelands (2024), his work in Stranieri Ovunque – Foreigners Everywhere, the 60th International Art Exhibition of the Venice Biennale. Graham discusses Wastelands as a commentary on extractive attitudes to land, the logistics of exhibiting at the Venice Biennale and what it’s like to be included alongside an intergenerational selection of Māori artists, including his father, Fred Graham.

Writing

Crossing Currents: Episode 1

By Contemporary HUM

22.06.2024

Aotearoa New Zealand artist Areez Katki speaks to HUM about The Rhapsode’s Tools Will Build the Rhapsode’s House, his presentation in the 7th edition of Personal Structures. Katki discusses the processes and politics of exhibiting in Personal Structures and the two series he produced for the exhibition, which take migrant and queer positionalities as points from which to restore notions of pedagogy and learning from patriarchal, religious dictates to an affectual, instinctual realm of care.