By Anne-Marie Te Whiu, Ariana Davis, Jaimie Waititi, Jessica Palalagi
The final episode in our four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees writer and poet Anne-Marie Te Whiu respond to a discussion between Ariana Davis, Jessica Palalagi and Jaimie Waititi as they explore the idea of ReMoanafication, individual and collective connections, and reclaiming narratives.
08 November 2019 —
05 April 2020
National Gallery of Canada, Ottawa, Canada
07 February —
15 February 2020
Shilpakala Academy, Dhaka, Bangladesh
01 July —
31 July 2020
By AJ Fata, Anne-Marie Te Whiu, Drew Broderick, Josh Tengan
The third episode of our four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees writer and poet Anne-Marie Te Whiu respond to a discussion between AJ Fata, Josh Tengan, and Drew Kahuʻāina Broderick who explore the concept of time and ancestral knowledge as a path for the historical future.
By Michelangelo Corsaro
In their work for the 13th Gwangju Biennale, the Bad Fiji Gyals call attention to the legacy of Girmitiya women, indentured labourers from the Indian subcontinent recruited by British colonial authorities to work on Fiji’s sugarcane plantations. Associate Curator Michelangelo Corsaro writes about the collaborative work of Aotearoa-based artist Quishile Charan and US-based artist Esha Pillay.
By Anne-Marie Te Whiu, Isoa Tupua, Lyall Hakaraia
Our second offering in this four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees Lyall Hakaraia and Isoa Tupua discuss queer communities/scenes in London, witnessing the bare minimum, gentrification, and how to clock an invite to a sex party. Written response by Brisbane-based poet, editor, weaver and festival director Anne-Marie Te Whiu.
By Afatasi The Artist, Anne-Marie Te Whiu, Momoe i manu ae ala atea’e Tasker
In this first episode of our new special series of talanoa (online conversations) produced in collaboration with In*ter*is*land Collective, Anne-Marie Te Whiu responds to a discussion between Afatasi the Artist and Momoe i manu ae ala atea’e Tasker on identity and how it's expressed in their creative practices, finding their community in various daily rituals while living in the diaspora, and maintaining their connections to 'home'.
By Jessica Palalagi
Jessica Palalagi, co-founder of the In*ter*is*land Collective, describes how their physical base in London, MOKU Pacific HQ, London, has served as a place for tagata Moana in the UK to create and meet since its inception in 2018, and reflects on the highs and lows of the past three years, including their exhibition in late 2019, Mana Moana, Mana Wahine.
By Pauline Autet
We finish our first series focusing on the Asia region with Contemporary HUM Editor Pauline Autet interviewing Mata Aho Collective on their participation in the Dhaka Art Summit, Bangladesh in February 2020, where they partook in panel discussions and practised a type of waiata (song) called a pātere.
By Tania Willard
Co-curated by Lana Lopesi, the exhibition Transits and Returns at Vancouver Art Gallery in Canada presents the work of 21 Indigenous artists from Northern America and the Pacific, and includes Aotearoa artists BC Collective, Louisa Afoa, Ahilapalapa Rands, and Edith Amituanai. In this essay, Indigenous Canadian artist and curator Tania Willard contextualises the work within a wider art history and personal history.