Jewellery
Calendar
12 contemporary NZ jewellery artists, Handshake 7
04 December 2022 —
11 February 2023
Gallery Marzee, Nijmegen, the Netherlands
Calendar
Lisa Walker, An den Zäunen Rüttelnd
09 September —
12 November 2022
Galerie Belleparais, Munich, Germany
Calendar
Lisa Walker, EINE GROSSE MENGE GEFLOCHTENER FÄDEN DIE SCHÖN HÄNGEN IN GUTEN FARBEN
09 September —
15 October 2022
Galerie Biró, Munich, Germany
Writing
Handshake 5: In Dialogue
By Roseanne Bartley
22.01.2020
A look at Handshake, a project dedicated to developing emerging New Zealand jewellers nationally and internationally, and their recent exchange with Coda Museum in the Netherlands. Participating jewellers from Aotearoa include Neke Moa, Vivien Atkinson, Sarah Read, Becky Bliss, Vanessa Arthur, Sarah Walker-Holt, Sandra Schmid, Nadene Carr, Caroline Thomas, Brendon Monson, Nik Hanton, and Kelly McDonald.
Calendar
Jewellery from Aotearoa New Zealand
07 November 2021 —
17 January 2022
Galerie Marzee, Nijmegen, the Netherlands
Calendar
Karl Fritsch: Rings Without End
19 November —
06 December 2019
Salon 94, New York, U.S.A.
Writing
A Question of Identity
By Grace Lai
08.11.2019
New Zealand jeweller Johanna Zellmer's practice focuses on national identity and the varying bureaucracy that can divide us. In this essay, Curator Grace Lai looks specifically at Zellmer's recent three-month residency in Gothenburg, Sweden, and her exhibition of crafted and altered coins which acted as a vehicle to comment on the current political climate.
Calendar
Handshake 5 - NZ Jewellery at CODA Museum
14 October 2019 —
19 January 2020
CODA Museum, Apeldoorn, The Netherlands
Calendar
Handshake: Terra in/cognita – Te Ao hurihuri
22 October —
28 October 2018
The Crypt, London, U.K.
Writing
Valuing the Handmade
By Kim Paton
09.05.2018
Munich Jewellery Week is one of the oldest and most prestigious contemporary jewellery exhibitions in the world; this year, Renee Pearson became the first New Zealander to win the Talente Prize at the fair. Objectspace's Director Kim Paton walks us through the exhibition and explores Pearson's win within the landscape of funding cuts and dwindling education opportunities for makers in New Zealand.
