Contemporary HUM is excited to launch our partnership with AWARE: Archives of Women Artists, Research and Exhibitions. The Paris-based non-profit organisation, founded in 2014, focuses on the creation, indexation and distribution of information on women artists of the 20th century. During our partnership with AWARE we have worked on including more Aotearoa New Zealand women artists in their online profiles. AWARE is a great resource for championing women artists and we’re thrilled to be working with them. A huge thanks to Creative New Zealand for making this partnership possible.
By Katie White
Inspired by ikebana, the Japanese art of flower arrangement, Ann Shelton's photographs subtly recall both ancient and contemporary female archetypes and the subversive histories of natural medicine - a sharp reminder of our forgotten affinities with nature in the current moment of climate crisis and the ongoing politicisation of female bodies.
By Anne-Marie Te Whiu, Isoa Tupua, Lyall Hakaraia
Our second offering in this four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees Lyall Hakaraia and Isoa Tupua discuss queer communities/scenes in London, witnessing the bare minimum, gentrification, and how to clock an invite to a sex party. Written response by Brisbane-based poet, editor, weaver and festival director Anne-Marie Te Whiu.
A collaboration between In*ter*is*land Collective and Contemporary HUM consisting of four edited online talanoa (conversations) between several tagata Moana (Māori and Pasifika people) across the globe which centre around the principles of talanoa; ofa, mafana, malie and faka'apa'apa (love, warmth, humour and respect) and the ability to have a "reciprocal knowledge exchange".
The talanoa within this series will focus on topics such as life in the diaspora, moana futurism, queer identities and ReMoanafication, and all will be individually responded to in written form by Anne-Marie Te Whiu (Te Rarawa), reminding us of our intricate connection and shared ancestry in Te Moananui-a-Kiwa.
By Millie Riddell
What a Genderful World, the current exhibition at Amsterdam's Tropenmuseum, focuses on gender in the modern world and features Aotearoa artist Yuki Kihara; the next representative for New Zealand at the Venice Biennale. Writer Millie Riddell explores how the works presented function within the anthropological lens used in this exhibition and the balance between the genuine discussions of gender and the corporate and colonial undertones of the presentation.
By Ysabelle Cheung
The second publication from our special series focusing on the Asia region, looks to Hong Kong gallery Para Site, and its exhibition Koloa: Women, Art, and Technology. The exhibition centres on koloa, or customary women’s arts in Tonga, and features three artists from New Zealand: Tanya Edwards, Nikau Hindin, and Vaimaila Urale.
By Roseanne Bartley
A look at Handshake, a project dedicated to developing emerging New Zealand jewellers nationally and internationally, and their recent exchange with Coda Museum in the Netherlands. Participating jewellers from Aotearoa include Neke Moa, Vivien Atkinson, Sarah Read, Becky Bliss, Vanessa Arthur, Sarah Walker-Holt, Sandra Schmid, Nadene Carr, Caroline Thomas, Brendon Monson, Nik Hanton, and Kelly McDonald.
By Pauline de Souza
Eleven years in the making, this is the first publication of its kind; a collection of 14 short stories from fa'afafine, or transgender and queer Samoans, focusing on their individual experiences in historic and modern times. Edited by artists Dan Taulapapa McMullin and Yuki Kihara, and published by Little Island Press in October 2018.
By Jorge De Hoyos
Berlin-based Jorge de Hoyos first experienced Alexa Wilson's current project 999: Alchemist Trauma Centre / Power Centre when both artists were auditioning for a Masters in Solo Dance Authorship in Berlin. In this part-essay, part-interview, they discuss the work, which is due to be performed in London, Berlin, India and NZ later this year, and exchange their views on feminism and challenging binary perceptions.
By Eleanor Woodhouse
Artist, poet and filmmaker, Joanna Margaret Paul passed away suddenly in 2003 leaving behind a vast archive of never-before-seen work. London-based writer Eleanor Woodhouse explores Paul’s practice, and considers the significance of her work being shown abroad, most recently the programme of her filmic work touring the UK: Through a Different Lens.
By Ulrike Gerhardt
Ulrike Gerhardt reponds to Berlin-based New Zealand artist Alicia Frankovich's first major solo show in Germany, OUTSIDE BEFORE BEYOND at Kunstverein für die Rheinlande und Westfalen, Düsseldorf.