Biennials
Calendar
Sorawit Songsataya, Sriwhana Spong and Simon Denny at the 6th Ural Industrial Biennial of Contemporary Art
02 October —
05 December 2021
Yekaterinburg, Russia
Calendar
Simon Denny at the 7th Athens Biennale
24 September —
28 November 2021
AB7: Eclipse, Athens, Greece
Writing
Vivian Lynn / Liliane Lijn
By Laura Castagnini
07.10.2021
Following her death in 2018, pioneering feminist artist Vivian Lynn is receiving unprecedented international attention, after a lifetime of exhibiting widely in Aotearoa, but never outside of New Zealand. Following her recent inclusion in the 13th Gwangju Biennale and a solo exhibition at Southard Reid, London, Laura Castagnini reflects on the long-overdue revival of feminist art practices from the 1980s, and considers the striking parallels between Lynn’s work and her London-based counterpart, Liliane Lijn.
Calendar
Greg Semu, Kalisolaite ‘Uhila and Edith Amituanai at the Biennale Jogja XVI
06 October —
14 November 2021
Biennale Jogja, Indonesia
Calendar
Christina Pataialii at the New Museum Triennial
27 October 2021 —
23 January 2022
The New Museum, New York, U.S.A.
Calendar
Simon Denny at the Belgrade Biennale
25 June —
22 August 2021
The Dreamers, Belgrade, Serbia
Calendar
Aotearoa artists at the 22nd Sydney Biennale
14 March —
06 September 2020
Various locations, Sydney, Australia
Calendar
Yona Lee at Busan Biennale 2020
05 September —
08 November 2020
Museum of Contemporary Art Busan, Korea
Calendar
Dane Mitchell at Bangkok Art Biennale
12 October 2020 —
31 January 2021
BAB Box, One Bangkok, Thailand
Calendar
Vivian Lynn, Shannon Te Ao & Bad Fiji Gyals at Gwangju Biennale
01 April —
09 May 2021
Gwangju, South Korea
Writing
Looking for Home
By Jungah Lee
13.01.2021
A look at Yona Lee's site-specific work En Route Home at the 2020 Busan Biennale, its references to migration, the concept of 'home', and our new and developing relationships towards stability and roots in the era of globalisation.
Writing
The Near Side
By Jon Bywater
13.05.2020
The 22nd Biennale of Sydney opened on 14 March 2020 and unfortunately had to close its doors only nine days later due to Covid-19. Prior to its closing, writer Jon Bywater managed to visit NIRIN, looking in particular at participating artists from Aotearoa including Emily Karaka, Elisapeta Heta & John Miller, Lisa Reihana, Kulimoe’anga ‘Stone’ Maka, and FAFSWAG.
Writing
Mata Aho Collective at the Dhaka Art Summit
By Pauline Autet
21.04.2020
We finish our first series focusing on the Asia region with Contemporary HUM Editor Pauline Autet interviewing Mata Aho Collective on their participation in the Dhaka Art Summit, Bangladesh in February 2020, where they partook in panel discussions and practised a type of waiata (song) called a pātere.
Writing
Moana, Unimagined
By Millie Riddell
08.01.2020
The 16th Istanbul Biennial, titled The Seventh Continent, had a thematic focus on the large garbage patch currently occupying 3.4 million square kilometres of ocean, near Hawaii and Japan. Despite focusing on this area, Pacific artists were not present at the Biennial. Writer Millie Riddell explores the omission of Pacific artists, and what it means to not address or include the people most affected by environmental pollution and climate change.
Writing
Always in Transit
By Aaron Lister
18.09.2019
A conversation with Yona Lee about her new site-specific installation, In Transit (Highway) (2019), presented at the 15th Lyon Biennale, her training as a cellist, and the development of this ongoing project. With an introduction from Daria de Beauvais, Senior Curator at the Palais de Tokyo in Paris and Co-Curator of this year's Biennale.
Writing
Behind the scenes of Post hoc in Venice
By Amber Baldock, Chris Sharp, Hope Wilson, Jude Chambers, Zara Stanhope
22.07.2019
What does it take to represent New Zealand at the Venice Biennale? How are five-metre tall, 500kg sculptures installed and secured? How do you vie for an audience’s attention on an island full of exhibitions and artworks? HUM interviews the team behind Post hoc, at the New Zealand Pavilion for the 2019 Venice Biennale.
Writing
An interview with Dane Mitchell
By Contemporary HUM
24.06.2019
HUM's editorial team sat down with artist Dane Mitchell to discuss his work for the New Zealand Pavilion at the 58th Venice Biennale, Post hoc. The work, both ambitious in scale and subject, has sparked discussions on global climate change and meditations on what has truly disappeared from the world.
Writing
HUM live from the 2019 Venice Biennale
By Contemporary HUM
07.05.2019
HUM brings you live blog posts, videos, and exclusive images from the opening week of May You Live In Interesting Times, The 58th International Art Exhibition – La Biennale di Venezia, including Dane Mitchell's Post hoc for the New Zealand Pavilion.
Project
HUM live from the Venice Biennale
Updates from the vernissage
For the past two editions, the HUM team has attended the vernissage of La Biennale di Venezia in Italy. We bring you live coverage during the opening week, not only from the official New Zealand pavilion, but also from collateral events featuring artists from Aotearoa. In addition to daily posting blog entries, videos and images, we also publish exclusive interviews with some of the New Zealand artists and arts practicioners involved in putting together this major international event.
Writing
An interview with Dame Jenny Gibbs
By Pauline Autet
05.04.2019
As the commissioner of the New Zealand Pavilion in the years 2001, 2003 and 2019, Dame Jenny Gibbs has unparalleled knowledge on the history of New Zealand at the Venice Biennale. HUM's Editor Pauline Autet, speaks with Gibbs about the forthcoming biennale and about Dane Mitchell's project for the prestigious international exhibition.
Writing
Maddie Leach: The Grief Prophesy
By Hjalmar Falk
08.06.2018
Maddie Leach's project The Grief Prophesy, created for the Gothenburg International Biennale for Contemporary Art (GIBCA) 2017, addresses the disturbing and intriguing circumstances surrounding an alleged Satanic murder, committed by members of a well-known Swedish black metal band. Swedish historian Hjalmar Falk discusses the work.
Writing
An interview with Lisa Reihana
By Contemporary HUM
22.09.2017
As part of Contemporary HUM’s series of interviews with New Zealand artists exhibiting during the 57th Venice Biennale, we talk to Lisa Reihana, New Zealand's representative at the Biennale about her experience in Venice.
Writing
An interview with Kāryn Taylor
By Contemporary HUM
22.09.2017
As part of Contemporary HUM's series of interviews with New Zealand artists exhibiting during the 57th Venice Biennale, we talk with Kāryn Taylor about her work Field Notations, included in the exhibition Personal Structures: Open Borders at the Palazzo Bembo.
Writing
An interview with Bruce Barber
By Contemporary HUM
22.09.2017
As part of Contemporary HUM's series of interviews with New Zealand artists exhibiting during the 57th Venice Biennale, we talk with Bruce Barber about his work Party without Party (2017), included in the exhibition Personal Structures: Open Borders at the Palazzo Bembo.
Writing
An interview with Francis Upritchard
By Contemporary HUM
22.09.2017
As part of Contemporary HUM’s series of interviews with New Zealand artists exhibiting during the 57th Venice Biennale, we talk to Francis Upritchard about her work in the Biennale.
Writing
An interview with Paul Handley
By Contemporary HUM
22.09.2017
As part of Contemporary HUM's series of interviews with New Zealand artists exhibiting during the 57th Venice Biennale, we talk to Paul Handley about his practice and his work Déplacement (Smuggling Pod) (2017), included in the exhibition Personal Structures: Open Borders at the Palazzo Bambo.
Writing
Islands on Sale
By Alastair Carruthers, Contemporary HUM, Mata Aho Collective, Tessa Giblin
05.08.2017
In this panel discussion between Erena Baker and Bridget Reweti (Mata Aho Collective), Alastair Carruthers (Commissioner of NZ at Venice 2017) and Tessa Giblin (Commissioner and Curator of Ireland at Venice 2017), the participants discuss globalisation, national identity, the politics of representation and New Zealand's role in contemporary international art discourse.
Writing
HUM live from the 2017 Venice Biennale
By Contemporary HUM
08.05.2017
HUM brings you live blog posts and exclusive images from the opening week of Viva Arte Viva, The 57th International Art Exhibition – La Biennale di Venezia, between 8 - 15 May 2017, including Lisa Reihana: Emissaries for the New Zealand Pavilion.
Writing
Urges of Imperialism Unravelled
By Rhana Devenport
01.05.2017
Rhana Devenport, Curator of the New Zealand Pavilion at the 2017 Venice Biennale, sets the context for Emissaries, Lisa Reihana's exhibition representing Aotearoa New Zealand at the 57th Biennale di Venezia.
Writing
Reporting from the Front Desk
By Chris Winwood
08.12.2016
Paris-based architect Chris Winwood considers Future Islands, the New Zealand contribution to the Venice Architecture Biennale 2016.