London
Calendar
Campbell Patterson and Claudia Kogachi, Group Portrait
22 July —
23 September 2023
Phillida Reid, London, UK
Calendar
Sorawit Songsataya, Gasworks residency
02 October —
18 December 2023
Gasworks, London, UK
Calendar
Luana Asiata, Rejects
28 July —
03 August 2023
Art Friend, London, UK
Calendar
Stephen Whittaker, Roots of Day: Dying on the Vine
10 June —
08 July 2023
JC Gallery, London, UK
Calendar
Oliver Smart, Open studio
24 June —
25 June 2023
Cromwell Industrial Estate, London, UK
Calendar
Edith Amituanai, Martin Sagadin, Sriwhana Spong and Pati Tyrell, 'Legacies' international tour
03 April —
01 October 2023
ADM Gallery Singapore; Stelo, Portland, USA; LUX, London; Oberhausen Short Film Festival, Germany; Storage Art Space, Bangkok
Writing
“Sorry … Ummm”: Mystery, Mark Fisher, and Laughter
By Jasmine Gallagher
06.03.2023
Artist Campbell Patterson discusses his recent residencies, delayed by over two years due to the pandemic, at Headlands, Sausalito, and Gasworks, London, with friend and poet Jasmine Gallagher. They share their reflections on institutions of art and medicine, and on carving out their own spaces for the process of creation.
Calendar
Tiffany Singh, I Saw it on TV
21 April —
22 April 2023
Copeland Gallery, London, UK
Calendar
James Tapsell-Kururangi, Delfina Foundation residency
03 April —
25 June 2023
Delfina Foundation, London, UK
Calendar
In*ter*is*land Collective, Whenua: Of soil and blood
21 February —
12 March 2023
Burgh House, London, UK
Calendar
Eleanor Catton, Birnam Wood author discussion
16 March 2023
Southbank Centre, London, UK
Calendar
Fiona Connor, Long Distance
04 November 2022 —
15 January 2023
Maureen Paley, London, UK
Calendar
Kate Newby, So close,come on
25 November 2022 —
21 January 2023
The Sunday Painter, London, UK
Calendar
Simon Denny, Dotcom Séance
16 October —
04 December 2022
Now Building, London, UK
Project
Forever Fresh Talanoa Series 2
Partnership
Following on from our 2021 talanoa series, this is a new round of edited online talanoa (conversations) between several tagata Moana (Māori and Pasifika people) across the globe, once again produced in collaboration with In*ter*is*land Collective.
Each talanoa in this series focuses on different topics central to life in the diaspora and is individually responded to in writing by Ioana Gordon-Smith, a Sāmoan/Pākehā arts writer and curator living in Aotearoa.
Calendar
Pippa Blake, Undercurrents
18 October —
11 November 2022
Cromwell Place, London & Candida Stevens Gallery, Chichester
Calendar
Emma Bass, Royal Academy's Summer Exhibition
21 June —
21 August 2022
Royal Academy of Arts, London, United Kingdom
Calendar
David Rickard, Landfall
30 June —
06 August 2022
Copperfield Gallery, London, UK
Calendar
Sarah Rose, Brent Biennial 2022
08 July —
11 September 2022
Various venues across Brent, London, United Kingdom
Writing
Vivian Lynn / Liliane Lijn
By Laura Castagnini
07.10.2021
Following her death in 2018, pioneering feminist artist Vivian Lynn is receiving unprecedented international attention, after a lifetime of exhibiting widely in Aotearoa, but never outside of New Zealand. Following her recent inclusion in the 13th Gwangju Biennale and a solo exhibition at Southard Reid, London, Laura Castagnini reflects on the long-overdue revival of feminist art practices from the 1980s, and considers the striking parallels between Lynn’s work and her London-based counterpart, Liliane Lijn.
Writing
Listening Like Breathing
By Ron Hanson
09.12.2020
Although an influential figure in the development of sound art, New York-based Annea Lockwood hasn't experienced the same level of exposure in New Zealand as she has experienced internationally. In this piece, White Fungus' editor Ron Hanson outlines his journey discovering Lockwood's work and speaks to the artist about her impressive career and pivotal developments in her field.
Writing
Forever Fresh
By Jessica Palalagi
06.11.2020
Jessica Palalagi, co-founder of the In*ter*is*land Collective, describes how their physical base in London, MOKU Pacific HQ, London, has served as a place for tagata Moana in the UK to create and meet since its inception in 2018, and reflects on the highs and lows of the past three years, including their exhibition in late 2019, Mana Moana, Mana Wahine.
Project
Forever Fresh Talanoa Series
Partnership
A collaboration between In*ter*is*land Collective and Contemporary HUM consisting of four edited online talanoa (conversations) between several tagata Moana (Māori and Pasifika people) across the globe which centre around the principles of talanoa; ofa, mafana, malie and faka'apa'apa (love, warmth, humour and respect) and the ability to have a "reciprocal knowledge exchange".
The talanoa within this series will focus on topics such as life in the diaspora, moana futurism, queer identities, and ReMoanafication, and all will be individually responded to in written form by Anne-Marie Te Whiu (Te Rarawa), reminding us of our intricate connection and shared ancestry in Te Moananui-a-Kiwa.
Writing
Whose Oceania?
By James Belich, Lana Lopesi, Matariki Williams, Pauline Autet
14.11.2018
Missed HUM's panel discussion Whose Oceania? in London? We're excited to publish the transcript of this discussion, which proved to be a stimulating talk interrogating the themes and issues addressed in the exhibition Oceania at the Royal Academy of Arts in London, as well as the responses to it from across Te Moana Nui a Kiwa.
Writing
Push and Pull
By Jessica Douglas
25.10.2018
In the wake of recent discussions of London-based Francis Upritchard's work, Jessica Douglas views the exhibition Wetwang Slack, on now at the Barbican Centre in London, through the aesthetic quality and craftsmanship of Upritchard's work, alongside the wider consequences of her practice.
Writing
Mana Moana in the UK’s year of Captain Cook
By Ahilapalapa Rands, Jo Walsh
21.09.2018
London-based cultural producer Jo Walsh and artist Ahilapalapa Rands discuss some of the exhibitions and programmes taking place in the UK to mark the 250th anniversary of Captain Cook's departure to the Pacific, which also resonates to many as the start of colonisation in Moana-Nui-A-Kiwa. In this conversation piece, Rands and Walsh focus in on the projects they have been involved in, working with The British Library, Whitby Library and other UK institutions, and their efforts to disrupt the major narratives surrounding Cook.
Writing
Feminist Hieroglyphics
By Louise Lever
25.06.2018
A conversation with London-based artist Sriwhana Spong about Spong's practice and in particular her recent video work A hook but no fish, 2017, originally presented at the Pump House Gallery in London, which speculates upon a secret language invented by a mystic 12th century abbess, Hildegard of Bingen.
Writing
The Transcendent and Domestic in Joanna Margaret Paul's Films
By Eleanor Woodhouse
19.04.2018
Artist, poet and filmmaker, Joanna Margaret Paul passed away suddenly in 2003 leaving behind a vast archive of never-before-seen work. London-based writer Eleanor Woodhouse explores Paul’s practice, and considers the significance of her work being shown abroad, most recently the programme of her filmic work touring the UK: Through a Different Lens.
Writing
He Landed in a Place of Absolute Magic
By Hamish Coney, Kevin Ireland
03.04.2018
Although born in Yorkshire, the late artist Michael Illingworth immigrated to Aotearoa at age 20 in the early 1950s, before returning to England and Europe for a brief but formative period in 1959. Hamish Coney interviews the poet and writer Kevin Ireland OBE, one of Illingworth’s oldest New Zealand friends, on their London years (1959-61); a period of, as Ireland explains, 'high-octane education and inspiration'.
Writing
Islands on Sale
By Alastair Carruthers, Contemporary HUM, Mataaho Collective, Tessa Giblin
05.08.2017
In this panel discussion between Erena Baker and Bridget Reweti (Mata Aho Collective), Alastair Carruthers (Commissioner of NZ at Venice 2017) and Tessa Giblin (Commissioner and Curator of Ireland at Venice 2017), the participants discuss globalisation, national identity, the politics of representation and New Zealand's role in contemporary international art discourse.