Textile

Writing

Meandering Gestures, Infiltrating Language

By Imaad Majeed

08.09.2022

Artist, curator and writer Imaad Majeed talks with Aotearoa artist Areez Katki about his participation in Language is Migrant, the latest edition of the international arts festival Colomboscope, in Sri Lanka, and about using embroidery and textiles to explore ideas of displacement, trajectories of violence, and the colonial legacy of his own Parsi heritage.

Writing

A protest and a mourning ritual

By Michelangelo Corsaro

11.05.2021

In their work for the 13th Gwangju Biennale, the Bad Fiji Gyals call attention to the legacy of Girmitiya women, indentured labourers from the Indian subcontinent recruited by British colonial authorities to work on Fiji’s sugarcane plantations. Associate Curator Michelangelo Corsaro writes about the collaborative work of Aotearoa-based artist Quishile Charan and US-based artist Esha Pillay.

Calendar

Areez Katki in Colomboscope Interdisciplinary Arts Festival

20 January —
30 January 2022

Colomboscope, Colombo, Sri Lanka

Writing

Resistance through Koloa

By Ysabelle Cheung

06.04.2020

The second publication from our special series focusing on the Asia region, looks to Hong Kong gallery Para Site, and its exhibition Koloa: Women, Art, and Technology. The exhibition centres on koloa, or customary women’s arts in Tonga, and features three artists from New Zealand: Tanya Edwards, Nikau Hindin, and Vaimaila Urale.

Writing

An interview with Francis Upritchard

By Contemporary HUM

22.09.2017

As part of Contemporary HUM’s series of interviews with New Zealand artists exhibiting during the 57th Venice Biennale, we talk to Francis Upritchard about her work in the Biennale.