Judy Millar

Calendar

Judy Millar, Spotlight

25 December 2023 —
24 March 2024

Kunstmuseum St. Gallen, St. Gallen, Switzerland

Calendar

Judy Millar in 5th Kyiv Biennial: Against the Logic of War

17 October —
17 December 2023

Ukraine, Austria, Poland, Belgium and Germany

Calendar

Judy Millar, ja, fürwahr, ihr zeigt uns Träume, wie die Brust sie kaum begreift

01 April —
03 June 2023

Galerie Mark Müller, Zürich, Switzerland

Writing

This Model World, Travels to the Edge of Contemporary Art

By Will Gresson

08.12.2016

Will Gresson reviews the book This Model World, Travels to the Edge of Contemporary Art, by Anthony Byrt, published in 2016.

Calendar

Judy Millar: Swallowed in Space

27 October —
23 December 2017

Mark Muller Galerie, Zurich, Switzerland

Calendar

Max Gimblett and Judy Millar: Edges of Darkness

05 September —
25 October 2018

Hamish Morrison Galerie, Berlin, Germany.

Calendar

Judy Millar: The View from Nowhere

13 September —
20 October 2018

Fold Gallery, London, U.K.

Calendar

Judy Millar: The Future and the Past Perfect

02 March —
19 May 2019

Kunstmuseum St. Gallen, Zurich, Switzerland.

Calendar

Judy Millar at Kunst Museum Winterthur

18 May —
18 August 2019

Kunst Museum Winterthur, Switzerland

Calendar

Judy Millar at Galerie Mark Mueller

08 June —
20 July 2019

Galerie Mark Mueller, Zurich, Switzerland

Calendar

Judy Millar at Mark Müller Gallery

27 June —
15 August 2020

Galerie Mark Müller, Zürich, Switzerland

Writing

Judy Millar: The Sinew of Space

By Jodie Dalgleish

12.02.2018

Jodie Dalgleish considers Judy Millar's exhibition Swallowed in Space at Galerie Mark Müller in Zurich (2017), reflecting on the way Millar's affective paintings can activate space to create a 'bodily-felt' experience and extensively draws on a dialogue between the writer and the artist evaluating 'what painting does to us'.

Writing

NZ at Venice

By Will Gresson

20.11.2017

London-based New Zealand writer Will Gresson looks back at the way New Zealand has presented itself at the Venice Biennale, since first officially taking part in 2001. In particular, Gresson shares a personal response to the last five national projects and some thoughts on the relevance of cross-national presentations in the future.