Caretaker to Caretaker

By Bopha Chhay, Paula Booker

18.01.2022

In Part One of this interview, Vancouver-based Aotearoa curators Paula Booker and Bopha Chhay talk about Chhay’s work as director of non-profit artist-run initiative Artspeak, the meaning of care in a curating role, the relationship between writing and art, and the place of artist-run initiatives in Canada and Aotearoa.

Caretaker to Caretaker

By Bopha Chhay, Paula Booker

18.01.2022

In Part Two of this interview, Vancouver-based Aotearoa curators Paula Booker and Bopha Chhay talk about Chhay’s work as director of non-profit artist-run initiative Artspeak, the challenges of maintaining a space during COVID-19, what decolonisation in art institutions can be like and working on unceded territory, and curating recent projects around the relationship between art and writing.

On Civicness and Participating in Public Life through Art Practice - Panel discussion transcript

By Cat Auburn, Daniel Malone, Pauline Autet, Ruth Buchanan

14.12.2021

For Contemporary HUM’s third panel in October 2021, On Civicness, we sat down with Cat Auburn, Ruth Buchanan, and Daniel Malone in Berlin to talk about their practices, recent projects and what “civicness” means to them as Aotearoa artists working abroad—spanning Polish experimental theatre, the memory functions of NFTs and the power relations of collecting institutions. Read the full transcript of the panel discussion here!

On Civicness and Participating in Public Life Through Art Practice - Artist Statements

14.12.2021

For Contemporary HUM’s third panel in October 2021, On Civicness, we invited Cat Auburn, Ruth Buchanan, and Daniel Malone in Berlin to talk about their practices, recent projects and what “civicness” means to them as Aotearoa artists working abroad. In Part One, the artists introduce their recent practice and consider their relationship to civicness, community and the public sphere through a chosen project. 

We See the Same Stars

By Gabriela Salgado, Sabine Casparie

16.11.2021

In this interview with Gabriela Salgado, former Artistic Director of Te Tuhi, Sabine Casparie sits down with the curator to discuss her new London-based project, Southern Stars, a platform connecting artists from the southern hemisphere. Casparie and Salgado discuss how the European art world is responding to new, Indigenous voices, and Southern Stars’ first exhibition, Golden Daughters of the Sun, featuring Aotearoa artist Salome Tanuvasa.

“Don’t Learn Anything More!”

By Connie Brown

26.10.2021

Writer Connie Brown pays a visit to Virginia Leonard’s studio, encountering the artist’s “fugly” ceramics and talking with her about recent and upcoming international exhibitions, her process into ceramic-making and the resistance her work offers to traditional notions of wellness, pain and the body. 

Vivian Lynn / Liliane Lijn

By Laura Castagnini

07.10.2021

Following her death in 2018, pioneering feminist artist Vivian Lynn is receiving unprecedented international attention, after a lifetime of exhibiting widely in Aotearoa, but never outside of New Zealand. Following her recent inclusion in the 13th Gwangju Biennale and a solo exhibition at Southard Reid, London, Laura Castagnini reflects on the long-overdue revival of feminist art practices from the 1980s, and considers the striking parallels between Lynn’s work and her London-based counterpart, Liliane Lijn. 

HUM travels to Berlin

By Contemporary HUM

05.10.2021

From 01 - 04 October 2021, the HUM team was in Berlin to host our third panel discussion On Civicness. While there, we took the opportunity to catch up with several New Zealand artists - Sam Rountree Williams, Joshua Rutter, Matthew Cowan, and Ben Cauchi - and learn about their current projects.

Forever Fresh Talanoa Series

By Anne-Marie Te Whiu, Ariana Davis, Jaimie Waititi, Jessica Palalagi

25.09.2021

The final episode in our four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees writer and poet Anne-Marie Te Whiu respond to a discussion between Ariana Davis, Jessica Palalagi and Jaimie Waititi as they explore the idea of ReMoanafication, individual and collective connections, and reclaiming narratives.

They Call Me The Believer

By Habib William Kherbek

21.09.2021

Michael Stevenson’s retrospective at the KW Institute for Contemporary Art, Berlin, traces a 35 year practice exploring the intricacies of storytelling and truth in popular culture, media and technology. In this piece, Habib William Kherbek explores how Stevenson’s practice calls into question the infrastructures of knowledge formation in a sprawling, fragmented exhibition from inside the belly of a whale. 

Directions in Art Publishing during Covid-19

By Freya Copeland

10.09.2021

Reflecting on the disruptions of the Covid-19 pandemic in the world of independent book publishing, artist, curator and co-founder of Berlin-based Replika Publishing, Freya Copeland writes on the history of artists’ books and the role of independent publishing. She considers the lessons the industry can learn after a year and a half without art book fairs—usually an essential opportunity for publishers to meet collaborators, distributors and other publishers, and how the world of art book publishing might evolve going forward. 

On Louise Stevenson's 'Someplace Else'

By Chris Holdaway

24.08.2021

In Someplace Else, Louise Stevenson chronicles her complex and unfolding relationship with Hungary, travelling back and forth from Aotearoa since her first visit in 1991. In this elaborate, handbound mixed media book, Stevenson traces decades of travel with careful preservation of ephemera, annotating ticket stubs and found photographs with her own drawings and writing. In this piece, poet and bookmaker Chris Holdaway considers the memories that inhere in overlooked items, repurposed carefully by Stevenson as talismans of place and the passage of time.

Talk, Protest, Revolt

By Frances Loeffler

06.08.2021

In the 2021 documentary Revolt She Said, filmmaker Louise Lever traces the histories and critical concerns of feminist movements in Aotearoa. Frances Loeffler reflects on the complex questions raised by the film and the impact of recent feminist movements in the art world. 

Plant Data

By Alice Bonnot

22.07.2021

Porto-based New Zealand artist Yota Ayaan investigates the possibilities of human-plant communication in Plant Data, an exhibition at the Galeria da Biodiversidade, Centro Ciência Viva, in Porto’s Botanical garden. After visiting the show, writer and curator Alice Bonnot discusses here the urgent lessons that can be gleaned from it in the current climate crisis.

Charting the Constellations of the Oceans, Rivers, and Islands

By Julie Nagam

09.07.2021

As the inaugural Artistic Director for Nuit Blanche Toronto (2020 and 2022), Dr Julie Nagam is interested in forging new relationships between Indigenous and non-Indigenous communities, in Turtle Island (North America) and internationally, and in the use of digital and new media to express shared experiences of colonialism. Here, Nagam introduces several recent projects undertaken in collaboration with artists and curators from Aotearoa and the new global partnership The Space Between Us, emerging from these cross-cultural exchanges.

Some Kind of Travelogue

By Esther Lu

18.06.2021

Aotearoa-based artist Sorawit Songsataya’s practice explores the many tangents that connect and redefine our understandings of subjectivity and ecology. Songsataya was invited to participate in the group show, The Turn of the Fifth Age, at Selasar Sunaryo Art Space in Bandung, Indonesia, earlier this year, where they exhibited their work Jupiter. Here, co-curator Esther Lu responds to that work.

Forever Fresh Talanoa Series

By AJ Fata, Anne-Marie Te Whiu, Drew Broderick, Josh Tengan

29.05.2021

The third episode of our four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees writer and poet Anne-Marie Te Whiu respond to a discussion between AJ Fata, Josh Tengan, and Drew Kahuʻāina Broderick who explore the concept of time and ancestral knowledge as a path for the historical future.

A protest and a mourning ritual

By Michelangelo Corsaro

11.05.2021

In their work for the 13th Gwangju Biennale, the Bad Fiji Gyals call attention to the legacy of Girmitiya women, indentured labourers from the Indian subcontinent recruited by British colonial authorities to work on Fiji’s sugarcane plantations. Associate Curator Michelangelo Corsaro writes about the collaborative work of Aotearoa-based artist Quishile Charan and US-based artist Esha Pillay.

Ann Shelton’s Strange Flowers Set the Stage

By Katie White

14.04.2021

Inspired by ikebana, the Japanese art of flower arrangement, Ann Shelton's photographs subtly recall both ancient and contemporary female archetypes and the subversive histories of natural medicine - a sharp reminder of our forgotten affinities with nature in the current moment of climate crisis and the ongoing politicisation of female bodies.

Forever Fresh Talanoa Series

By Anne-Marie Te Whiu, Isoa Tupua, Lyall Hakaraia

04.04.2021

Our second offering in this four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees Lyall Hakaraia and Isoa Tupua discuss queer communities/scenes in London, witnessing the bare minimum, gentrification, and how to clock an invite to a sex party. Written response by Brisbane-based poet, editor, weaver and festival director Anne-Marie Te Whiu.

Living Currency

By Henry Babbage

25.03.2021

In (working title) at gr_und project space in Berlin, Frankfurt-based New Zealand artist Alex Chalmers explores how the circulation of commodities shape our thresholds of political implication, drawing our attention to the global economy's reliance on an interdependent network of shipping and delivery services, and our own alienation as consumers from the labour that creates our goods. 

Amidst and Beyond

By Alice Connew, Virginia Woods-Jack

10.03.2021

To celebrate the February 2021 release of Dwelling in the Margins: Art Publishing in Aotearoa, a new publication by GLORIA Books, HUM is pleased to republish this extract in which two photographers speak about their artistic and publishing practices, and about their work highlighting women in photography through collaborative projects and platforms that foster debate, visibility and community. 

Forever Fresh Talanoa Series

By Afatasi The Artist, Anne-Marie Te Whiu, Momoe i manu ae ala atea’e Tasker

28.02.2021

In this first episode of our new special series of talanoa (online conversations) produced in collaboration with In*ter*is*land Collective, Anne-Marie Te Whiu responds to a discussion between Afatasi the Artist and Momoe i manu ae ala atea’e Tasker on identity and how it's expressed in their creative practices, finding their community in various daily rituals while living in the diaspora, and maintaining their connections to 'home'.

Movements of Outsiders

By Alexa Wilson

10.02.2021

Together with three of her contemporaries, interdisciplinary artist Alexa Wilson considers dance and performance art in the time of Covid - how does a medium that relies so much on physical presence, collaboration, audience and space respond to global lockdowns and a forced shift online?

Music from the End of the World

By Sharmini Aphrodite

28.01.2021

In September 2019, Joseph Michael's installation Voices for the Future lit up the United Nations, General Assembly and Secretariat buildings in New York ahead of the UN’s Climate Action Summit and global school strikes. Sharmini Aphrodite talks to the artist about his process of recording the icebergs featured in the artwork and reflects on the dissolution of the spatial and aural boundaries between Antarctica, New Zealand and New York.

Looking for Home

By Jungah Lee

13.01.2021

A look at Yona Lee's site-specific work En Route Home at the 2020 Busan Biennale, its references to migration, the concept of 'home', and our new and developing relationships towards stability and roots in the era of globalisation.

Taiwan-New Zealand Dialogue

By Catherine George, Catherine Lee, Isis Mingli Lee, Ron Hanson, Wan-Jung Wei

22.12.2020

A panel discussion exploring new ways of making art and connecting with audiences amid Covid-19 in New Zealand and Taiwan. Held on October 24 2020 and organised by the Taiwan Cultural Policy Research Association, as part of the Tua-Tiu-Tiann International Festival of Arts (TTTIFA).

Listening Like Breathing

By Ron Hanson

09.12.2020

Although an influential figure in the development of sound art, New York-based Annea Lockwood hasn't experienced the same level of exposure in New Zealand as she has experienced internationally. In this piece, White Fungus' editor Ron Hanson outlines his journey discovering Lockwood's work and speaks to the artist about her impressive career and pivotal developments in her field.

Social Imagination

By Lance Pearce

20.11.2020

Xin Cheng's Seeing Like a Forest, made during her study at HFBK - University Of Fine Arts Hamburg from 2017-2019, focuses on issues such as sustainability, communities, and resourcefulness. Artist and writer Lance Pearce discusses these themes and their relevance to a world in the midst of a pandemic.

Forever Fresh

By Jessica Palalagi

06.11.2020

Jessica Palalagi, co-founder of the In*ter*is*land Collective, describes how their physical base in London, MOKU Pacific HQ, London, has served as a place for tagata Moana in the UK to create and meet since its inception in 2018, and reflects on the highs and lows of the past three years, including their exhibition in late 2019, Mana Moana, Mana Wahine.