Off Season by Richard Frater
By Henry Babbage
Off Season by Richard Frater at the Kunstverein München sparked reflections, for writer Henry Babbage, on our asymmetrical relations with the avian life that shares our cities.
Lemi Ponifasio, Amor a la muerte (Love to Death)
07 July —
08 July 2023
Joliette Theater, Marseille, France
Sam Rountree Williams, Nature
29 March —
22 April 2023
Charim Schleifmühlgasse, Vienna, Austria
Jen Valender, Broken Chord
02 September —
30 October 2022
The Museum of Art and Culture Lake Macquarie, Booragul, Australia
Karma Barnes and Sarah Hudson, Wild Pigment Project
17 September —
03 December 2022
form and concept, Santa Fe, USA
By Alice Bonnot
Porto-based New Zealand artist Yota Ayaan investigates the possibilities of human-plant communication in Plant Data, an exhibition at the Galeria da Biodiversidade, Centro Ciência Viva, in Porto’s Botanical garden. After visiting the show, writer and curator Alice Bonnot discusses here the urgent lessons that can be gleaned from it in the current climate crisis.
Ann Shelton’s Strange Flowers Set the Stage
By Katie White
Inspired by ikebana, the Japanese art of flower arrangement, Ann Shelton's photographs subtly recall both ancient and contemporary female archetypes and the subversive histories of natural medicine - a sharp reminder of our forgotten affinities with nature in the current moment of climate crisis and the ongoing politicisation of female bodies.
Plants, love, and multispecies engagements
By Essi Kausalainen, Robyn Maree Pickens
After first meeting at the Saari Residence in the southwest of Finland at the start of 2020, Aotearoa writer and poet Robyn Maree Pickens and Finnish performance artist Essi Kausalainen discuss how their diverse practices can mirror each other, about plants and the more-than-human world, along with the ramifications of Covid on their wellbeing and practice.
Between Light and Memory
By Sharmini Aphrodite
In the first essay in our new series focusing on New Zealand arts activity in the Asia region, writer Sharmini Aphrodite reviews André Hemer's show, Images Cast by the Sun, at Yavuz Gallery in Singapore in 2019. Finding parallels between the paintings location in Singapore and their creation in Vienna, Aphrodite articulates their visceral qualities, and ability to transcend materiality.
By Kathryn Weir, Zhang Hanlu
Held at Centre Pompidou in Paris, France, the most recent iteration of the ongoing project Cosmopolis included Aotearoa artists Lisa Reihana and Nandita Kumar amongst 40 international artists, all exploring technology and alternative ontologies. Chief curator, Kathryn Weir, and associated curator Zhang Hanlu share their reflections on Cosmopolis #2: rethinking the human.
Screaming Strawbears and other Strange Engagements
By Tessa Laird
From Morris dancing to costume making, Berlin-based artist Matthew Cowan and arts writer Tessa Laird discuss Cowan's interest in folklore, the function of tradition in the modern world and the influence of surrealism on his practice. Cowan's exhibition The Scream of the Strawbear opens at Kunsthalle Giessen in Germany on 7 September 2019.
An interview with Dane Mitchell
By Contemporary HUM
HUM's editorial team sat down with artist Dane Mitchell to discuss his work for the New Zealand Pavilion at the 58th Venice Biennale, Post hoc. The work, both ambitious in scale and subject, has sparked discussions on global climate change and meditations on what has truly disappeared from the world.
“Nothing consoles you like despair”
By Boaz Levin
The work of Berlin-based artist Richard Frater addresses the devastating impact of climate change on our environment, and the despair and human complicity felt in this global phenomenon. In this essay, artist, writer, and curator Boaz Levin unpacks Frater's recent exhibitions in Germany and New Zealand.
Preparing the Ground
By Chloe Barker
Arts Programme Coordinator at Tyneside Cinema Chloe Barker reflects on New Zealand artist Cat Auburn's new moving image work Preparing the Ground (2017) and first solo exhibition in the UK, at Tyneside Cinema, Newcastle upon Tyne.
Singing with the Bees
By Pauline Autet
HUM's Editor Pauline Autet reviews Anne Noble's exhibition Abeille, presented at the Abbaye de Noirlac in France from June to November 2016.
Anne Noble, Point of No Return. Attunement of Attention
24 April —
20 June 2021
NART – Narva Art Residency, Estonia
Yota Ayaan, Plant Data
06 June —
27 June 2021
Galeria da Biodiversidade, Porto, Portugal
Len Lye in Anticorps
23 October 2020 —
03 January 2021
Palais de Tokyo, Paris, France
Music from the End of the World
By Sharmini Aphrodite
In September 2019, Joseph Michael's installation Voices for the Future lit up the United Nations, General Assembly and Secretariat buildings in New York ahead of the UN’s Climate Action Summit and global school strikes. Sharmini Aphrodite talks to the artist about his process of recording the icebergs featured in the artwork and reflects on the dissolution of the spatial and aural boundaries between Antarctica, New Zealand and New York.
An abundance of loss
By Zara Stanhope
As part of HUM’s coverage of La Biennale di Venezia, we’ve invited Zara Stanhope, Lead Curator of the New Zealand Pavilion, to analyse Dane Mitchell’s work Post hoc and its lists of bygone things, as well as the artist's other major works exhibited at Mori Art Museum, Tokyo, Auckland Art Gallery and Raebervonstenglin, Zurich.
Dane Mitchell: An Aesthetic Contagion
By Marie de Brugerolle
Dane Mitchell's exhibition OTIUM #3 at the Institut d'art contemporain - Villeurbanne in France, was an invitation to produce and exhibit works related to the dimensions of time and space, as part of an ongoing prospective series of exhibitions linked to 'métaphysiques cosmomorphes', a term taken from Pierre Montebello's philosophical research. French art historian and curator Marie de Brugerolle explores Mitchell's work within this context and his wider practice.
The Symbolic and Actual Order of Things
By Carter Imrie-Milne
Auckland-born Zac Langdon-Pole's recent accolades include the Charlotte Prinz Scholarship in Darmstadt, Germany, being shortlisted for the BMW Art Journey Prize, and being one of the prestigious ARS VIVA prize recipients. Carter Imrie-Milne explores the artist's most recent series of objects and experiences featured in his presentation of the ARS VIVA at S.M.A.K. in Ghent, Belgium.
An interview with Martin Basher
By André Hemer
A conversation between two offshore New Zealand artists: Vienna-based André Hemer and New York-based Martin Basher. Their chat touches on producing art in Trump-era US, display-based practice, Basher’s doctorate, and living in NYC as a New Zealander.
A Man for all Seasons
By Anna Cahill
Writer Anna Cahill looks at the life and work of New Zealand painter Douglas MacDiarmid, from his early life in Taihape and Christchurch to his life as an expatriate painter in Paris, where he has been living permanently since 1951.
A Material Direction
By Jodie Dalgleish
Jodie Dalgleish talks to New Zealand/German artist André Hemer about his recent series A Hot Mess, his PhD practice and his experience as an ex-pat New Zealander.