By Stuart Munro
For this year's Aichi Triennale, writer Stuart Munro takes a trip to some of its more isolated venues to see works by Aotearoa artists Nikau Hindin and Yuki Kihara. Visiting buildings of historical significance where the various parts of the exhibition are installed, Munro unravels the far-reaching connections of Hindin and Kihara's contributions to family, survival and place.
By Ioana Gordon-Smith, Rosanna Raymond, Tanu Gago
Our first episode in this four-part talanoa series, produced in collaboration with In*ter*is*land Collective, has Rosanna Raymond and Tanu Gago reflecting on recent international projects and the difficulties of being Moana artists working in countries with cultural amnesia over their colonial pasts. Written response by Aotearoa writer and curator Ioana Gordon-Smith.
By Will Fredo
Berlin-based artist and writer Will Fredo discusses the decolonial gestures at play in Aotearoa-based art collective FAFSWAG’s contributions to documenta fifteen, encompassing works that champion unapologetic self-expression, queer joy and the power of futurity in rejecting colonial inheritances.
Following on from our 2021 talanoa series, this is a new round of four edited online talanoa (conversations) between several tagata Moana (Māori and Pasifika people) across the globe, once again produced in collaboration with In*ter*is*land Collective.
Each talanoa in this series focuses on different topics central to life in the diaspora and is individually responded to in writing by Ioana Gordon-Smith, a Sāmoan/Pākehā arts writer and curator living in Aotearoa.
By Emma O'Neill
This year’s Biennale of Sydney, titled rīvus, included the work of Aotearoa-based artists Sopolemalama Filipe Tohi and Mata Aho Collective. Emma O’Neill, a writer working on Gadigal Land, responds to the exhibition and some of the work presented by the 89 participants invited to interact with different forms and bodies of water.
By Contemporary HUM
In the opening week of the 2022 Biennale di Venezia, HUM sat down with the artist representing Aotearoa, Yuki Kihara, to discuss her exhibition Paradise Camp, and what it means to bring a Pasifika, Fa'afafine voice to the international audience of this major event.
By Contemporary HUM, Ioana Gordon-Smith, Natalie King
In the opening week of the 2022 Biennale di Venezia, HUM sat down with the Aotearoa New Zealand pavilion’s Curator, Natalie King, and Assistant Pasifika Curator Ioana-Gordon Smith, to talk about bringing Yuki Kihara’s Paradise Camp to Venice.
By Contemporary HUM
From 20 - 24 April 2022, HUM brings you live coverage, exclusive images and videos from the opening week of The Milk of Dreams, The 59th International Art Exhibition – La Biennale di Venezia, including Yuki Kihara's Paradise Camp for the New Zealand Pavilion. Stay tuned!
By Johanna Bear
Featuring work from Aotearoa artists Edith Amituanai, Brian Fuata, Christina Pataialii, Shannon Novak and Shannon Te Ao as well as collaborators from Aotearoa in the project Kā Paroro o Haumumu: Coastal Flows / Coastal Incursions, this piece from writer and curator Johanna Bear considers the 10th Asia Pacific Triennial’s celebration of Indigenous futures, collaborative and community-based practices, and new ways of understanding the world around us.
By Franchesca Hebert-Spence
Featuring Aotearoa artists Israel Birch, Nikau Hindin, Jeremy Leatinu’u, Nova Paul, Rachel Rakena and Keri Whaitiri, the inaugural Indigenous Triennial at the Winnipeg Art Gallery/Qaumajuq (WAG/Q) in Winnipeg, Naadohbii: To Draw Water, presents a collaborative curatorial approach to Indigenous artists’ work—Franchesca Hebert-Spence visits the exhibition and talks to the curators about the curatorial process, the opportunities offered through cross-cultural exchange, and the adherence to the specificities of place and history fostered through the exhibition.
By Clare Gemima
Aotearoa artist Christina Pataialii features in the fifth New Museum Triennial, one of the world’s leading exhibitions for emerging artists. New York-based writer Clare Gemima visits the exhibition and reflects on Pataialii’s rule-breaking approach to painting technique, and the artist’s search for a language for her family history, identity and the cultural “in-between”.
Christie's, Paris presents OCEANIA NOW: Contemporary Art from the Pacific, a physical exhibition and an online sale, produced in collaboration with New Zealand gallerists Alison Bartley and John Gow. Featuring 36 works from 14 artists, many based in Aotearoa, this is the institution’s first dedicated auction of works by contemporary artists from the Pacific. HUM is thrilled to be a media partner of this unprecedented project, running from 11 February - 01 March 2022.
By Anne-Marie Te Whiu, Ariana Davis, Jaimie Waititi, Jessica Palalagi
The final episode in our four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees writer and poet Anne-Marie Te Whiu respond to a discussion between Ariana Davis, Jessica Palalagi and Jaimie Waititi as they explore the idea of ReMoanafication, individual and collective connections, and reclaiming narratives.
By Michelangelo Corsaro
In their work for the 13th Gwangju Biennale, the Bad Fiji Gyals call attention to the legacy of Girmitiya women, indentured labourers from the Indian subcontinent recruited by British colonial authorities to work on Fiji’s sugarcane plantations. Associate Curator Michelangelo Corsaro writes about the collaborative work of Aotearoa-based artist Quishile Charan and US-based artist Esha Pillay.
Contemporary HUM is excited to launch our partnership with AWARE: Archives of Women Artists, Research and Exhibitions. The Paris-based non-profit organisation, founded in 2014, focuses on the creation, indexation and distribution of information on women artists of the 20th century. During our partnership with AWARE we have worked on including more Aotearoa New Zealand women artists in their online profiles. AWARE is a great resource for championing women artists and we’re thrilled to be working with them. A huge thanks to Creative New Zealand for making this partnership possible.
By AJ Fata, Anne-Marie Te Whiu, Drew Broderick, Josh Tengan
The third episode of our four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees writer and poet Anne-Marie Te Whiu respond to a discussion between AJ Fata, Josh Tengan, and Drew Kahuʻāina Broderick who explore the concept of time and ancestral knowledge as a path for the historical future.
A collaboration between In*ter*is*land Collective and Contemporary HUM consisting of four edited online talanoa (conversations) between several tagata Moana (Māori and Pasifika people) across the globe which centre around the principles of talanoa; ofa, mafana, malie and faka'apa'apa (love, warmth, humour and respect) and the ability to have a "reciprocal knowledge exchange".
The talanoa within this series will focus on topics such as life in the diaspora, moana futurism, queer identities, and ReMoanafication, and all will be individually responded to in written form by Anne-Marie Te Whiu (Te Rarawa), reminding us of our intricate connection and shared ancestry in Te Moananui-a-Kiwa.
By Jon Bywater
The 22nd Biennale of Sydney opened on 14 March 2020 and unfortunately had to close its doors only nine days later due to Covid-19. Prior to its closing, writer Jon Bywater managed to visit NIRIN, looking in particular at participating artists from Aotearoa including Emily Karaka, Elisapeta Heta & John Miller, Lisa Reihana, Kulimoe’anga ‘Stone’ Maka, and FAFSWAG.
By James Belich, Lana Lopesi, Matariki Williams, Pauline Autet
Missed HUM's panel discussion Whose Oceania? in London? We're excited to publish the transcript of this discussion, which proved to be a stimulating talk interrogating the themes and issues addressed in the exhibition Oceania at the Royal Academy of Arts in London, as well as the responses to it from across Te Moana Nui a Kiwa.
By Ahilapalapa Rands, Jo Walsh
London-based cultural producer Jo Walsh and artist Ahilapalapa Rands discuss some of the exhibitions and programmes taking place in the UK to mark the 250th anniversary of Captain Cook's departure to the Pacific, which also resonates to many as the start of colonisation in Moana-Nui-A-Kiwa. In this conversation piece, Rands and Walsh focus in on the projects they have been involved in, working with The British Library, Whitby Library and other UK institutions, and their efforts to disrupt the major narratives surrounding Cook.
By Alastair Carruthers, Contemporary HUM, Mata Aho Collective, Tessa Giblin
In this panel discussion between Erena Baker and Bridget Reweti (Mata Aho Collective), Alastair Carruthers (Commissioner of NZ at Venice 2017) and Tessa Giblin (Commissioner and Curator of Ireland at Venice 2017), the participants discuss globalisation, national identity, the politics of representation and New Zealand's role in contemporary international art discourse.
Small island ecologies, climate change, queer rights, Gauguin’s gaze, intersectionality and decolonization; these are just some of the topics explored by interdisciplinary artist Yuki Kihara in her project Paradise Camp, representing New Zealand at the 59th Venice Biennale in Italy. HUM is proud to be a media partner of this exciting project, open to the public from 23 April - 27 November 2022.
Shane Cotton, Brett Graham, Lyonel Grant, Nikau Hindin, Yuki Kihara, Roger Mortimer, Fiona Pardington, John Pule, Lisa Reihana, Mahiriki Tangaroa, Kelcy Taratoa, John Walsh, Dame Robin White and Cora-Allan Lafaiki Twiss in OCEANIA NOW
11 February —
01 March 2022
Christie's Paris, France
Louisa Afoa, Edith Amituanai, Darcell Apelu, Grace Iwashita-Taylor, Raymond Sagapolutele, Kereama Taepa, Pati Solomona Tyrell in Ocean Memories, curated by Cora-Allan Lafaiki Twiss
17 October —
14 November 2021
Kunsthalle Faust, Hanover, Germany
By Gabriela Salgado, Sabine Casparie
In this interview with Gabriela Salgado, former Artistic Director of Te Tuhi, Sabine Casparie sits down with the curator to discuss her new London-based project, Southern Stars, a platform connecting artists from the southern hemisphere. Casparie and Salgado discuss how the European art world is responding to new, Indigenous voices, and Southern Stars’ first exhibition, Golden Daughters of the Sun, featuring Aotearoa artist Salome Tanuvasa.
Christopher Ulutupu, Gavin Hipkins, Jasmine Togo-Brisby, Cathy Carter, Lara Lindsay-Parker and John Vea in Almost Paradise, co-curated by Hutch Wilco
30 October —
12 December 2021
Shanghai Duolun Museum of Modern Art, Shanghai, China
01 September —
30 September 2021
Dalston, East London, United Kingdom
17 July —
31 October 2021
Kaohsiung Museum of Fine Arts, Taiwan
01 October 2021 —
01 October 2022
Art Gallery of NSW, Sydney, Australia
By Julie Nagam
As the inaugural Artistic Director for Nuit Blanche Toronto (2020 and 2022), Dr Julie Nagam is interested in forging new relationships between Indigenous and non-Indigenous communities, in Turtle Island (North America) and internationally, and in the use of digital and new media to express shared experiences of colonialism. Here, Nagam introduces several recent projects undertaken in collaboration with artists and curators from Aotearoa and the new global partnership The Space Between Us, emerging from these cross-cultural exchanges.