Curating

Writing

Caretaker to Caretaker

By Bopha Chhay, Paula Booker

18.01.2022

In Part One of this interview, Vancouver-based Aotearoa curators Paula Booker and Bopha Chhay talk about Chhay’s work as director of non-profit artist-run initiative Artspeak, the meaning of care in a curating role, the relationship between writing and art, and the place of artist-run initiatives in Canada and Aotearoa.

Writing

Caretaker to Caretaker

By Bopha Chhay, Paula Booker

18.01.2022

In Part Two of this interview, Vancouver-based Aotearoa curators Paula Booker and Bopha Chhay talk about Chhay’s work as director of non-profit artist-run initiative Artspeak, the challenges of maintaining a space during COVID-19, what decolonisation in art institutions can be like and working on unceded territory, and curating recent projects around the relationship between art and writing.

Writing

We See the Same Stars

By Gabriela Salgado, Sabine Casparie

16.11.2021

In this interview with Gabriela Salgado, former Artistic Director of Te Tuhi, Sabine Casparie sits down with the curator to discuss her new London-based project, Southern Stars, a platform connecting artists from the southern hemisphere. Casparie and Salgado discuss how the European art world is responding to new, Indigenous voices, and Southern Stars’ first exhibition, Golden Daughters of the Sun, featuring Aotearoa artist Salome Tanuvasa.

Writing

Charting the Constellations of the Oceans, Rivers, and Islands

By Julie Nagam

09.07.2021

As the inaugural Artistic Director for Nuit Blanche Toronto (2020 and 2022), Dr Julie Nagam is interested in forging new relationships between Indigenous and non-Indigenous communities, in Turtle Island (North America) and internationally, and in the use of digital and new media to express shared experiences of colonialism. Here, Nagam introduces several recent projects undertaken in collaboration with artists and curators from Aotearoa and the new global partnership The Space Between Us, emerging from these cross-cultural exchanges.

Writing

A protest and a mourning ritual

By Michelangelo Corsaro

11.05.2021

In their work for the 13th Gwangju Biennale, the Bad Fiji Gyals call attention to the legacy of Girmitiya women, indentured labourers from the Indian subcontinent recruited by British colonial authorities to work on Fiji’s sugarcane plantations. Associate Curator Michelangelo Corsaro writes about the collaborative work of Aotearoa-based artist Quishile Charan and US-based artist Esha Pillay.

Writing

Moana, Unimagined

By Millie Riddell

08.01.2020

The 16th Istanbul Biennial, titled The Seventh Continent, had a thematic focus on the large garbage patch currently occupying 3.4 million square kilometres of ocean, near Hawaii and Japan. Despite focusing on this area, Pacific artists were not present at the Biennial. Writer Millie Riddell explores the omission of Pacific artists, and what it means to not address or include the people most affected by environmental pollution and climate change.

Writing

An abundance of loss

By Zara Stanhope

12.05.2019

As part of HUM’s coverage of La Biennale di Venezia, we’ve invited Zara Stanhope, Lead Curator of the New Zealand Pavilion, to analyse Dane Mitchell’s work Post hoc and its lists of bygone things, as well as the artist's other major works exhibited at Mori Art Museum, Tokyo, Auckland Art Gallery and Raebervonstenglin, Zurich.

Writing

Oceania at the Met

By Maia Nuku

28.11.2018

Maia Nuku, Associate Curator for Oceanic Art at The Metropolitan Museum of Art, New York, talks about the ways in which new curatorial practices are bringing life to the Oceanic collection at the Met. Nuku's collaborative research projects sees new connections between Pacific artists, scholars, cultural practitioners, curators and conservators, as well as Digital and Education teams from within the museum, allowing an activation of objects, and a "complication of institutional narratives."

Writing

Urges of Imperialism Unravelled

By Rhana Devenport

01.05.2017

Rhana Devenport, Curator of the New Zealand Pavilion at the 2017 Venice Biennale, sets the context for Emissaries, Lisa Reihana's exhibition representing Aotearoa New Zealand at the 57th Biennale di Venezia.

Writing

Passing Torches

By Barbara Sirieix, Caterina Riva

08.12.2016

A conversation between writers and curators Barbara Sirieix and Caterina Riva, reflecting on their practices and time spent in Aotearoa at The Physics Room in Christchurch and Artspace New Zealand in Auckland, and their work exhibiting Aotearoa artists Tahi Moore, Alicia Frankovich and William Hsu.