Video

Writing

FAFSWAG at documenta fifteen

By Will Fredo

20.09.2022

Berlin-based artist and writer Will Fredo discusses the decolonial gestures at play in Aotearoa-based art collective FAFSWAG’s contributions to documenta fifteen, encompassing works that champion unapologetic self-expression, queer joy and the power of futurity in rejecting colonial inheritances.

Writing

documenta fifteen or lumbung one?

By Bruce E. Phillips

12.08.2022

For documenta fifteen, the arts collective FAFSWAG were invited to participate as members of the lumbung process established by this year’s curatorial collective ruangrupa. In the absence of the trophy artist phenomenon so entrenched within mega-exhibitions, Bruce E. Phillips responds to the work of different participating collectives exhibiting in Kassel and discusses how introducing a non-European exhibition-making concept into the heart of arguably Europe’s most revered art event was bound to confound those unwilling to consider a differing perspective.

Calendar

Len Lye, Individuals, Networks, Expressions

12 November 2021 —
05 February 2023

M+, Hong Kong

Writing

Betty Collings and 'To Begin, Again: A Prehistory of the Wex, 1968–89'

By Dan Munn

07.04.2022

Aotearoa artist and curator Betty Collings acted as Director of the Ohio State University’s Gallery of Fine Art from 1974 to 1980, amassing during that time a significant collection of then-contemporary artworks. With many of these works showcased at the recent exhibition To Begin, Again: A Prehistory of the Wex, 1968-89, Dan Munn looks back to Collings’ influence as a Director and her own, long-running artistic career. 

Writing

Reimagined Futures

By Johanna Bear

23.03.2022

Featuring work from Aotearoa artists Edith Amituanai, Brian Fuata, Christina Pataialii, Shannon Novak and Shannon Te Ao as well as collaborators from Aotearoa in the project Kā Paroro o Haumumu: Coastal Flows / Coastal Incursions, this piece from writer and curator Johanna Bear considers the 10th Asia Pacific Triennial’s celebration of Indigenous futures, collaborative and community-based practices, and new ways of understanding the world around us. 

Writing

Talk, Protest, Revolt

By Frances Loeffler

06.08.2021

In the 2021 documentary Revolt She Said, filmmaker Louise Lever traces the histories and critical concerns of feminist movements in Aotearoa. Frances Loeffler reflects on the complex questions raised by the film and the impact of recent feminist movements in the art world. 

Writing

Some Kind of Travelogue

By Esther Lu

18.06.2021

Aotearoa-based artist Sorawit Songsataya’s practice explores the many tangents that connect and redefine our understandings of subjectivity and ecology. Songsataya was invited to participate in the group show, The Turn of the Fifth Age, at Selasar Sunaryo Art Space in Bandung, Indonesia, earlier this year, where they exhibited their work Jupiter. Here, co-curator Esther Lu responds to that work.

Writing

Time and Water

By Maya Wilson-Sanchez

03.09.2020

Presented earlier this year at Oakville Galleries in Canada, Shannon Te Ao's two-channel video and sound installation Ka mua, ka muri recently opened at Remai Modern, Saskatoon. In this part essay, part dialogue, writer Maya Wilson-Sanchez examines Te Ao's new project, and meditates on the relationships between indigenous populations in colonised nations.

Writing

The Near Side

By Jon Bywater

13.05.2020

The 22nd Biennale of Sydney opened on 14 March 2020 and unfortunately had to close its doors only nine days later due to Covid-19. Prior to its closing, writer Jon Bywater managed to visit NIRIN, looking in particular at participating artists from Aotearoa including Emily Karaka, Elisapeta Heta & John Miller, Lisa Reihana, Kulimoe’anga ‘Stone’ Maka, and FAFSWAG.

Writing

Between Light and Memory

By Sharmini Aphrodite

23.03.2020

In the first essay in our new series focusing on New Zealand arts activity in the Asia region, writer Sharmini Aphrodite reviews André Hemer's show, Images Cast by the Sun, at Yavuz Gallery in Singapore in 2019. Finding parallels between the paintings location in Singapore and their creation in Vienna, Aphrodite articulates their visceral qualities, and ability to transcend materiality.

Writing

Stirring Motion

By Stefanie Bräuer

20.02.2020

Art Historian Stefanie Bräuer takes us through Museum Tinguely’s recent comprehensive exhibition of New Zealand artist Len Lye, exploring Lye’s international life, his move from film to kinetic sculptures and the relationship between the museum's namesake, fellow kinetic sculptor Jean Tinguely.

Writing

The Discreet Charm of Chance

By Jari Niesner

23.08.2019

In her recent exhibition Following the Rubber Trails, at Frappant Galerie in Hamburg, Germany, Xin Cheng addresses the politics, history and philosophy of rubber, in its varying forms. Writer Jari Nieser explores the artist's performance, film and installation.  

Writing

“Nothing consoles you like despair”

By Boaz Levin

22.03.2019

The work of Berlin-based artist Richard Frater addresses the devastating impact of climate change on our environment, and the despair and human complicity felt in this global phenomenon. In this essay, artist, writer, and curator Boaz Levin unpacks Frater's recent exhibitions in Germany and New Zealand.

Writing

Feminist Hieroglyphics

By Louise Lever

25.06.2018

A conversation with London-based artist Sriwhana Spong about Spong's practice and in particular her recent video work A hook but no fish, 2017, originally presented at the Pump House Gallery in London, which speculates upon a secret language invented by a mystic 12th century abbess, Hildegard of Bingen.

Writing

The Transcendent and Domestic in Joanna Margaret Paul's Films

By Eleanor Woodhouse

19.04.2018

Artist, poet and filmmaker, Joanna Margaret Paul passed away suddenly in 2003 leaving behind a vast archive of never-before-seen work. London-based writer Eleanor Woodhouse explores Paul’s practice, and considers the significance of her work being shown abroad, most recently the programme of her filmic work touring the UK: Through a Different Lens.

Writing

With the sun aglow, I have my pensive moods

By Andrew Clifford

04.12.2017

Andrew Clifford writes on Shannon Te Ao’s installation, With the sun aglow I have my pensive moods, one of four key new commissions for the 2017 Edinburgh Art Festival.

Writing

An interview with Bruce Barber

By Contemporary HUM

22.09.2017

As part of Contemporary HUM's series of interviews with New Zealand artists exhibiting during the 57th Venice Biennale, we talk with Bruce Barber about his work Party without Party (2017), included in the exhibition Personal Structures: Open Borders at the Palazzo Bembo.

Writing

Luke Willis Thompson: A Sister Image

By Frances Loeffler

15.07.2017

Frances Loeffler writes on London-based New Zealand artist Luke Willis Thompson's residency at the Chisenhale Gallery in London, culminating in autoportrait (2017), a video portrait of Diamond Reynolds reflecting Thompson's ongoing enquiry into questions of race, class and social inequality.

Writing

Nature at its Queerest

By Ulrike Gerhardt

20.05.2017

Ulrike Gerhardt reponds to Berlin-based New Zealand artist Alicia Frankovich's first major solo show in Germany, OUTSIDE BEFORE BEYOND at Kunstverein für die Rheinlande und Westfalen, Düsseldorf. 

Writing

Urges of Imperialism Unravelled

By Rhana Devenport

01.05.2017

Rhana Devenport, Curator of the New Zealand Pavilion at the 2017 Venice Biennale, sets the context for Emissaries, Lisa Reihana's exhibition representing Aotearoa New Zealand at the 57th Biennale di Venezia.

Writing

Preparing the Ground

By Chloe Barker

22.04.2017

Arts Programme Coordinator at Tyneside Cinema Chloe Barker reflects on New Zealand artist Cat Auburn's new moving image work Preparing the Ground (2017) and first solo exhibition in the UK, at Tyneside Cinema, Newcastle upon Tyne.

Writing

Passing Torches

By Barbara Sirieix, Caterina Riva

08.12.2016

A conversation between writers and curators Barbara Sirieix and Caterina Riva, reflecting on their practices and time spent in Aotearoa at The Physics Room in Christchurch and Artspace New Zealand in Auckland, and their work exhibiting Aotearoa artists Tahi Moore, Alicia Frankovich and William Hsu.

Writing

Singing with the Bees

By Pauline Autet

08.12.2016

HUM's Editor Pauline Autet reviews Anne Noble's exhibition Abeille, presented at the Abbaye de Noirlac in France from June to November 2016.

Project

Kunst Kopfüber / Art Upside Down

Partnership

The Goethe-Institut New Zealand and Contemporary HUM present a series of portraits about New Zealand artists who have found a new physical - and artistic - home in Germany. Kunst Kopfüber / Art Upside Down invites six international writers and curators to look at the practice of six contemporary artists from Aotearoa working across a variety of mediums, from video art to painting; large-scale installation to poetry. The written portraits about contemporary painter Sam Rountree Williams and poet Hinemoana Baker kick off this collaborative series.  

Calendar

Xin Cheng, SO CLOSE / SO FAR

12 August —
15 August 2021

Hyper Cultural Passenger, Hamburg, Germany

Calendar

Sione Tuívailala Monū, Leitī

30 July —
10 October 2021

Perth Institute of Contemporary Arts, Perth, Australia

Calendar

Jen Valender, Played as they lay

19 March —
21 April 2021

Spier Light Art Festival, Stellenbosch, South Africa

Writing

Charting the Constellations of the Oceans, Rivers, and Islands

By Julie Nagam

09.07.2021

As the inaugural Artistic Director for Nuit Blanche Toronto (2020 and 2022), Dr Julie Nagam is interested in forging new relationships between Indigenous and non-Indigenous communities, in Turtle Island (North America) and internationally, and in the use of digital and new media to express shared experiences of colonialism. Here, Nagam introduces several recent projects undertaken in collaboration with artists and curators from Aotearoa and the new global partnership The Space Between Us, emerging from these cross-cultural exchanges.

Calendar

Darcy Lange, Faraway, So Close

10 May —
16 June 2021

e-flux film series, Online

Calendar

Sriwhana Spong: Ida-Ida at Spike Island

06 April —
16 June 2019

Spike Island, Bristol, U.K.