By Chris Holdaway
In Someplace Else, Louise Stevenson chronicles her complex and unfolding relationship with Hungary, travelling back and forth from Aotearoa since her first visit in 1991. In this elaborate, handbound mixed media book, Stevenson traces decades of travel with careful preservation of ephemera, annotating ticket stubs and found photographs with her own drawings and writing. In this piece, poet and bookmaker Chris Holdaway considers the memories that inhere in overlooked items, repurposed carefully by Stevenson as talismans of place and the passage of time.
By AJ Fata, Anne-Marie Te Whiu, Drew Broderick, Josh Tengan
The third episode of our four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees writer and poet Anne-Marie Te Whiu respond to a discussion between AJ Fata, Josh Tengan, and Drew Kahuʻāina Broderick who explore the concept of time and ancestral knowledge as a path for the historical future.
By Anne-Marie Te Whiu, Isoa Tupua, Lyall Hakaraia
Our second offering in this four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees Lyall Hakaraia and Isoa Tupua discuss queer communities/scenes in London, witnessing the bare minimum, gentrification, and how to clock an invite to a sex party. Written response by Brisbane-based poet, editor, weaver and festival director Anne-Marie Te Whiu.
By Afatasi The Artist, Anne-Marie Te Whiu, Momoe i manu ae ala atea’e Tasker
In this first episode of our new special series of talanoa (online conversations) produced in collaboration with In*ter*is*land Collective, Anne-Marie Te Whiu responds to a discussion between Afatasi the Artist and Momoe i manu ae ala atea’e Tasker on identity and how it's expressed in their creative practices, finding their community in various daily rituals while living in the diaspora, and maintaining their connections to 'home'.
By Jungah Lee
A look at Yona Lee's site-specific work En Route Home at the 2020 Busan Biennale, its references to migration, the concept of 'home', and our new and developing relationships towards stability and roots in the era of globalisation.
By Jessica Palalagi
Jessica Palalagi, co-founder of the In*ter*is*land Collective, describes how their physical base in London, MOKU Pacific HQ, London, has served as a place for tagata Moana in the UK to create and meet since its inception in 2018, and reflects on the highs and lows of the past three years, including their exhibition in late 2019, Mana Moana, Mana Wahine.
By Chloe Lane, Peter Gouge
In this correspondence, writer Chloe Lane and artist Peter Gouge discuss the origins of Gouge’s MFA final exhibition at the University of Florida, the functionality of objects, the intersection of parenthood and practice, and the upcoming exhibition at Melanie Roger Gallery in Auckland where the documentation of Gouge's project will be displayed.
By Signe Rose
In a letter to her husband sculptor Martyn Reynolds, artist Signe Rose reflects on their life in Vienna as parents and artists, having moved to Austria from New Zealand in 2010. She also shares about feeling like a constant tourist, and about the ways in which her art is viewed by both European and New Zealand audiences.
By Maia Nuku
Maia Nuku, Associate Curator for Oceanic Art at The Metropolitan Museum of Art, New York, talks about the ways in which new curatorial practices are bringing life to the Oceanic collection at the Met. Nuku's collaborative research projects sees new connections between Pacific artists, scholars, cultural practitioners, curators and conservators, as well as Digital and Education teams from within the museum, allowing an activation of objects, and a "complication of institutional narratives."
By James Belich, Lana Lopesi, Matariki Williams, Pauline Autet
Missed HUM's panel discussion Whose Oceania? in London? We're excited to publish the transcript of this discussion, which proved to be a stimulating talk interrogating the themes and issues addressed in the exhibition Oceania at the Royal Academy of Arts in London, as well as the responses to it from across Te Moana Nui a Kiwa.
By Ahilapalapa Rands, Jo Walsh
London-based cultural producer Jo Walsh and artist Ahilapalapa Rands discuss some of the exhibitions and programmes taking place in the UK to mark the 250th anniversary of Captain Cook's departure to the Pacific, which also resonates to many as the start of colonisation in Moana-Nui-A-Kiwa. In this conversation piece, Rands and Walsh focus in on the projects they have been involved in, working with The British Library, Whitby Library and other UK institutions, and their efforts to disrupt the major narratives surrounding Cook.
By Contemporary HUM
As part of Contemporary HUM’s series of interviews with New Zealand artists exhibiting during the 57th Venice Biennale, we talk to Francis Upritchard about her work in the Biennale.
By Jodie Dalgleish
Jodie Dalgleish talks to New Zealand/German artist André Hemer about his recent series A Hot Mess, his PhD practice and his experience as an ex-pat New Zealander.