Museums

Writing

Betty Collings and 'To Begin, Again: A Prehistory of the Wex, 1968–89'

By Dan Munn

07.04.2022

Aotearoa artist and curator Betty Collings acted as Director of the Ohio State University’s Gallery of Fine Art from 1974 to 1980, amassing during that time a significant collection of then-contemporary artworks. With many of these works showcased at the recent exhibition To Begin, Again: A Prehistory of the Wex, 1968-89, Dan Munn looks back to Collings’ influence as a Director and her own, long-running artistic career. 

Project

Kunst Kopfüber / Art Upside Down

Partnership

The Goethe-Institut New Zealand and Contemporary HUM present a series of portraits about New Zealand artists who have found a new physical - and artistic - home in Germany. Kunst Kopfüber / Art Upside Down invites six international writers and curators to look at the practice of six contemporary artists from Aotearoa working across a variety of mediums, from video art to painting; large-scale installation to poetry. The written portraits about contemporary painter Sam Rountree Williams and poet Hinemoana Baker kick off this collaborative series.  

Writing

On Civicness and Participating in Public Life through Art Practice - Panel discussion transcript

By Cat Auburn, Daniel Malone, Pauline Autet, Ruth Buchanan

14.12.2021

For Contemporary HUM’s third panel in October 2021, On Civicness, we sat down with Cat Auburn, Ruth Buchanan, and Daniel Malone in Berlin to talk about their practices, recent projects and what “civicness” means to them as Aotearoa artists working abroad—spanning Polish experimental theatre, the memory functions of NFTs and the power relations of collecting institutions. Read the full transcript of the panel discussion here!

Writing

On Civicness and Participating in Public Life Through Art Practice - Artist Statements

14.12.2021

For Contemporary HUM’s third panel in October 2021, On Civicness, we invited Cat Auburn, Ruth Buchanan, and Daniel Malone in Berlin to talk about their practices, recent projects and what “civicness” means to them as Aotearoa artists working abroad. In Part One, the artists introduce their recent practice and consider their relationship to civicness, community and the public sphere through a chosen project. 

Writing

Stirring Motion

By Stefanie Bräuer

20.02.2020

Art Historian Stefanie Bräuer takes us through Museum Tinguely’s recent comprehensive exhibition of New Zealand artist Len Lye, exploring Lye’s international life, his move from film to kinetic sculptures and the relationship between the museum's namesake, fellow kinetic sculptor Jean Tinguely.

Writing

Handshake 5: In Dialogue

By Roseanne Bartley

22.01.2020

A look at Handshake, a project dedicated to developing emerging New Zealand jewellers nationally and internationally, and their recent exchange with Coda Museum in the Netherlands. Participating jewellers from Aotearoa include Neke Moa, Vivien Atkinson, Sarah Read, Becky Bliss, Vanessa Arthur, Sarah Walker-Holt, Sandra Schmid, Nadene Carr, Caroline Thomas, Brendon Monson, Nik Hanton, and Kelly McDonald.

Writing

Oceania at the Met

By Maia Nuku

28.11.2018

Maia Nuku, Associate Curator for Oceanic Art at The Metropolitan Museum of Art, New York, talks about the ways in which new curatorial practices are bringing life to the Oceanic collection at the Met. Nuku's collaborative research projects sees new connections between Pacific artists, scholars, cultural practitioners, curators and conservators, as well as Digital and Education teams from within the museum, allowing an activation of objects, and a "complication of institutional narratives."

Writing

Whose Oceania?

By James Belich, Lana Lopesi, Matariki Williams, Pauline Autet

14.11.2018

Missed HUM's panel discussion Whose Oceania? in London? We're excited to publish the transcript of this discussion, which proved to be a stimulating talk interrogating the themes and issues addressed in the exhibition Oceania at the Royal Academy of Arts in London, as well as the responses to it from across Te Moana Nui a Kiwa.

Writing

Push and Pull

By Jessica Douglas

25.10.2018

In the wake of recent discussions of London-based Francis Upritchard's work, Jessica Douglas views the exhibition Wetwang Slack, on now at the Barbican Centre in London, through the aesthetic quality and craftsmanship of Upritchard's work, alongside the wider consequences of her practice.

Project

Whose Oceania?

Panel discussion in London

Whose Oceania? is Contemporary HUM’s second public panel discussion, held on 29 September 2018 to coincide with the opening of the Oceania exhibition, on at the Royal Academy of Arts in London.

This exhibition is a major international event for Aotearoa New Zealand and the Pacific, and we have decided to take the opportunity to bring together several professionals from different backgrounds and practices in Māori and Pacific art, as well as colonial studies, to offer informed and critical responses to the show.

Writing

An interview with Gregory Burke

By Mandy Alves

10.06.2017

Canadian writer Mandy Alves talks with New Zealand curator Gregory Burke about his role as CEO and Executive Director at the Remai Modern Art Gallery of Saskatchewan in Saskatoon, Canada.