Māori
Writing
Fiona Pardington in Sharjah Biennial 16: to carry
23.04.2025
Aotearoa artist and representative for Aotearoa New Zealand at the upcoming 61st Venice Biennale (2026) Fiona Pardington talks to Contemporary HUM about her presentation of works from “Āhua: A beautiful hesitation” (2010) at Sharjah Biennial 16: to carry. In the conversation, she discusses the power of ancestral imagery beyond their capture by colonial pseudoscience, while also offering some early insights into her project for Venice.
Writing
Ana Iti in Sharjah Biennial 16: to carry
23.04.2025
In conversation with Contemporary HUM, Ana Iti reflects on her participation in Sharjah Biennial 16, following her win of the Walters Prize in Aotearoa New Zealand in 2024. She discusses what it’s been like taking the winning artwork to Sharjah and presenting it alongside earlier works, as well as the significance of taking part in her first major international presentation.
Project
Sharjah Biennial 16: to carry
In February 2025, Contemporary HUM was on the ground during the opening week of Sharjah Biennial 16: to carry, co-curated by Aotearoa curator Megan Tamati-Quennell with Alia Swastika, Amal Khalaf, Natasha Ginwala and Zeynep Öz.
Sharjah Biennial 16 convenes under the title “to carry”, a multivocal and open-ended proposition that connects stories and traditions across generations and cultures. The five co-curators of Sharjah Biennial 16 present their projects both individually and collectively, gathering under the rubric of a single proposition: What does it entail to carry a home, ancestors and political formations with you?
Megan Tamati-Quennell’s project assembles a significant number of artists and practitioners from Aotearoa New Zealand: Albert L. Refiti, Ana Iti, Fiona Pardington, Kate Newby, Mara TK, Saffronn Te Ratana, Luke Willis Thompson, Michael Parekōwhai and Te Matahiapo Collective, whose projects collectively speak to themes of place, space and whakapapa (genealogy).
Project
Vidéo Club New Zealand, Takiwā Hou: Imagining New Spaces
Partnership
For the second international edition of “Vidéo Club”, FRAC Champagne-Ardenne in France joins forces with Te Tuhi in Aotearoa New Zealand in an exchange initiated by curator Marie Griffay and supported by Contemporary HUM.
In this exchange, FRAC presents works by three Māori moving image artists, Russ Flatt, Kahurangiariki Smith and Suzanne Tamaki, taken from Te Tuhi’s 2024 exhibition Takiwā Hou: Imagining New Spaces. These works use a variety of subject matter, including karaoke, photogrammetry and social networks, to explore Indigenous spaces and possibilities that have yet to see the light of day. Aotearoa audiences can then see works by French artists Anouk Nier-Nantes, Émilie Pierson and Marina Smorodinova, at Te Tuhi in Tāmaki Makaurau Auckland.
Writing
And I dance into the future with the past, as a bird
By Haruko Kumakura
27.12.2024
Writing on Aotearoa New Zealand’s presentation at the 15th Gwangju Biennale, Shannon Te Ao’s Ia rā, ia rā (rere runga, rere raro) - Everyday (I fly high, I fly low) (2021), Haruko Kumakura argues that the work brings into focus what the thematic exhibition of the Biennale misses: a weaving together of the voices of the past, present and future appropriate both to the political context of its exhibition and the social and ecological urgencies of our time.
Calendar
Erena Baker Arapere and Rychèl Thérin Scott, DESCANSOS (We die 1000 deaths)
09 November —
15 November 2024
Glasgalerie, Vienna, Austria
Calendar
Lisa Reihana and Jasmine Togo-Brisby, Bangkok Art Biennale 2024: Nurture Gaia
24 October 2024 —
25 February 2025
various venues across Bangkok, Thailand
Calendar
Vidéo Club New Zealand, Takiwā Hou: Imagining New Spaces
11 October 2024 —
12 January 2025
FRAC Champagne-Ardenne, Reims, France
Calendar
Shannon Te Ao, 15th Gwangju Biennale Pavilion
07 September —
01 December 2024
Suha Gallery, Gwangju, South Korea
Writing
On truth and telling stories
By Hana Pera Aoake
04.10.2024
Aotearoa artist Hana Pera Aoake reflects on their visit to the Venice Biennale and the questions posed by its central exhibition, Stranieri Ovunque – Foreigners Everywhere. Unearthing the fraught political contexts of Venice, Aoake asks who is really made strange by the Biennale; and whether the presenting Aotearoa artists are able to retain the specificities of place within a curatorial frame that groups categories of difference under the theme of the “stranger”.
Calendar
Busan Biennale 2024: Seeing in the Dark
17 August —
20 October 2024
various locations in Busan, South Korea
Calendar
Deep Material Energy (DME III)
14 September —
16 November 2024
RMIT Galley, Naarm Melbourne, Australia
Writing
Crossing Currents: Episode 8
By Contemporary HUM
17.08.2024
Contemporary HUM speaks with Aotearoa New Zealand artist Sandy Adsett (Ngāti Pahauwera), a pioneer in the customary artform of kōwhaiwhai and an active figure in the emergence and presentation of contemporary Māori art on the national and international scenes. He discusses being featured in the 60th International Exhibition of the Venice Biennale, his experience as a teacher, and the question of the uses and future of Māori representation at events such as the Biennale.
Writing
Crossing Currents: Episode 7
By Contemporary HUM
10.08.2024
Robert Jahnke (Ngāi Taharora, Te Whānau a Iritekura, Te Whānau a Rakairo o Ngāti Porou) speaks to Contemporary HUM about his work Te Wepu MMXXIII, which is featured in the 7th edition of Personal Structures in Venice. Jahnke discusses the influence of Te Wepu, the battle flag of the 19th-century Māori prophet Te Kooti, and how the work highlights a formal whakapapa (genealogy) between Te Kooti, who was not only a religious visionary but an artistic innovator in his own right, and contemporary references to the flag, including by the late sculptor and painter Paratene Matchitt.
Writing
Crossing Currents: Episode 6
By Contemporary HUM
03.08.2024
On the occasion of an historic edition of the Venice Biennale for Aotearoa New Zealand, Contemporary HUM speaks with Mataaho Collective, who were awarded one of the top prizes at the Biennale, the Golden Lion, for their work Takapau. Mataaho Collective discuss the logistics of transforming Takapau for the Biennale, as well as working within a continuum of contemporary Māori art practice that also situates them alongside the intergenerational contingent of Māori artists presenting at this year’s Biennale. HUM also speaks with artist, writer and researcher Rychèl Thérin.
Calendar
Emily Karaka, Ka Awatea, A New Dawn
07 September —
01 December 2024
Sharjah Art Foundation, Sharjah, United Arab Emirates
Writing
Crossing Currents: Episode 5
By Contemporary HUM
27.07.2024
Contemporary HUM speaks to esteemed Māori sculptor Fred Graham, a pioneering figure in contemporary Māori art who is part of a generation that forged a new path in ngā toi Māori in post-war Aotearoa. Reflecting on his practice of over 70 years, Graham discusses the influence of his teaching and the importance of friends and family, as well as the experience of exhibiting alongside his son, Brett Graham, at the Venice Biennale.
Calendar
Greg Semu, Sacred + Forbidden
03 July —
23 September 2024
Museum of Contemporary Art Australia (MCA), Gadigal Lands Sydney, Australia
Project
Crossing Currents: Aotearoa New Zealand Artists in Venice
Podcast series
Despite there being no national pavilion for Aotearoa New Zealand this year, the 60th Venice Biennale is an historic edition for Aotearoa artists. Not only are there an unprecedented number of artists from Aotearoa featured in Venice – both within the International Exhibition of the Biennale and in concurrent events taking place across the city – but it also features the most Māori artists to be included.
In Crossing Currents: Aotearoa New Zealand Artists in Venice, Contemporary HUM speaks with the artists featured in the 60th Venice Biennale and parallel events Personal Structures and Re-Stor(y)ing Oceania as they reflect on presenting in Venice during an historic year for Aotearoa art, Ngā toi Māori and Indigenous art globally.
Calendar
Lisa Reihana, GLISTEN
14 June 2024 —
30 March 2025
National Gallery Singapore, Singapore
Writing
Crossing Currents: Episode 4
By Contemporary HUM
13.07.2024
Architect, artist and mother Elisapeta Hinemoa Heta speaks to Contemporary HUM about her presentation The Body of Wainuiātea, which is featured alongside work by Latai Taumoepeau in Re-Stor(y)ing Oceania, an exhibition curated by Taloi Havini at TBA21–Academy’s Ocean Space in Venice. She discusses the influence of the Māori pūrākau (mythological tradition) of the atua (deity) Wainuiātea, the need to re-establish a sacred relationship to the ocean and the conversations that guided the creation of the work, including with Havini and Taumoepeau.
Writing
Crossing Currents: Episode 2
By Contemporary HUM
29.06.2024
Contemporary HUM interviews Brett Graham (Ngāti Koroki Kahukura, Tainui) about Wastelands (2024), his work in Stranieri Ovunque – Foreigners Everywhere, the 60th International Art Exhibition of the Venice Biennale. Graham discusses Wastelands as a commentary on extractive attitudes to land, the logistics of exhibiting at the Venice Biennale and what it’s like to be included alongside an intergenerational selection of Māori artists, including his father, Fred Graham.
Calendar
Tamsen Hopkinson, The Wishing Well
20 June —
20 July 2024
Connors Connors, Naarm Melbourne, Australia
Calendar
Art Summit 2024
13 June —
15 June 2024
various locations in Honolulu, Hawaiʻi
Calendar
Hoʻoulu Lāhui: Regenerating Oceania: 13th Festival of Pacific Arts and Culture
06 June —
16 June 2024
Hawaiʻi Convention Center and various locations in Honolulu, Hawaiʻi
Writing
“To see us on our best day.”
By Dávvet Bruun-Solbaak
15.12.2023
Offering a glimpse at the wide range of emotions and encounters that Aotearoa-based artist Maungarongo Te Kawa and Northern Sámi activist Dávvet Bruun-Solbaak share in their multifaceted experiences at different edges of the globe, this conversation takes Te Kawa’s recent residency and touring exhibition in Norway and Sámi territories as a departure point.
Calendar
Mataaho Collective and Megan Tamati-Quennell, Indigenous Visions
10.00AM — 6.00PM
16 April 2024
Centro Culturale Don Orione Artigianelli, Venice, Italy
Calendar
The 60th International Art Exhibition – La Biennale di Venezia
20 April —
24 November 2024
Giardini and Arsenale, Venice, Italy
Calendar
Robert Jahnke, Te Wepu MMXXIII in Personal Structures
20 April —
24 November 2024
Palazzo Mora, Venice, Italy
