Shannon Te Ao
Writing
On Measuring Distance: THE FIELD
By Helen Hughes
12.07.2023
Art historian Helen Hughes examines how THE FIELD—featuring work by Ming Ranginui, Shannon Te Ao and Shiraz Sadikeen, and curated by Tamsen Hopkinson at Gertrude Contemporary in Naarm Melbourne—inhabits the spaces between categories and haunts institutional memories through a unique curatorial approach.
Calendar
Shannon Te Ao, Mare Amoris | Sea of Love
25 July 2023 —
20 January 2024
University of Queensland Art Museum, Brisbane, Australia
Calendar
12 Aotearoa artists, The Polyphonic Sea
08 July —
08 October 2023
Bundanon Art Gallery, Shoalhaven, Australia
Calendar
Tamsen Hopkinson, Ming Ranginui, Shiraz Sadikeen, Shannon Te Ao, Octopus 23: THE FIELD
15 April —
11 June 2023
Gertrude Contemporary, Melbourne, Australia
Writing
Reimagined Futures
By Johanna Bear
23.03.2022
Featuring work from Aotearoa artists Edith Amituanai, Brian Fuata, Christina Pataialii, Shannon Novak and Shannon Te Ao as well as collaborators from Aotearoa in the project Kā Paroro o Haumumu: Coastal Flows / Coastal Incursions, this piece from writer and curator Johanna Bear considers the 10th Asia Pacific Triennial’s celebration of Indigenous futures, collaborative and community-based practices, and new ways of understanding the world around us.
Writing
Time and Water
By Maya Wilson-Sanchez
03.09.2020
Presented earlier this year at Oakville Galleries in Canada, Shannon Te Ao's two-channel video and sound installation Ka mua, ka muri recently opened at Remai Modern, Saskatoon. In this part essay, part dialogue, writer Maya Wilson-Sanchez examines Te Ao's new project, and meditates on the relationships between indigenous populations in colonised nations.
Writing
With the sun aglow, I have my pensive moods
By Andrew Clifford
04.12.2017
Andrew Clifford writes on Shannon Te Ao’s installation, With the sun aglow I have my pensive moods, one of four key new commissions for the 2017 Edinburgh Art Festival.
Writing
This Model World, Travels to the Edge of Contemporary Art
By Will Gresson
08.12.2016
Will Gresson reviews the book This Model World, Travels to the Edge of Contemporary Art, by Anthony Byrt, published in 2016.