Imogen Taylor, Bud, 2020. Acrylic on hessian. 980 x 1410mm. Courtesy of the artist and Michael Lett, Auckland. Photo: Samuel Hartnett.

Writing

A Place You Didn’t Know That You Didn’t Know About

By Chloe Lane

06.12.2022

Chloe Lane speaks to Aotearoa artist Imogen Taylor on finishing their six-month residency at The International Studio and Curatorial Program (ISCP) in New York City, discussing Taylor's newest body of work, what it's like to be a contemporary artist from Aotearoa in New York City, and what living with a ball python can teach you about fear.

Li-Ming Hu, Boney (Phoney?) M, 2020, still from single channel video.

Calendar

Li-Ming Hu, ISCP residency

01 October —
30 November 2022

ISCP, New York, USA

Calendar

Kate Newby, We are such stuff

07 September —
22 October 2022

Laurel Gitlen Gallery, New York, USA

Ann Shelton, 'Roots', 2022. Courtesy of Denny Dimin Gallery and Ann Shelton

Calendar

Ann Shelton, i am an old phenomenon

04 November —
22 December 2022

Denny Dinim, New York, USA

Calendar

Li-Ming Hu, Double Foreign New Zealand Chinese Kitchen

22 October —
30 October 2022

Flux Factory, Governors Island, USA

Calendar

Imogen Taylor, ISCP residency

01 July —
30 September 2022

ISCP, New York, USA

Calendar

Sara Cowdell, 'Houses of Madness' A performance art work

02 July —
03 July 2022

Grace Exhibition Space Upstate, Kingston, New York, USA

Jack Be Nimble, 1993, New Zealand. Directed by Garth Maxwell. Courtesy of Altered Innocence.

Calendar

Garth Maxwell, 'Jack Be Nimble' film screening in 'Horror: Messaging the Monstrous'

12 July —
13 July 2022

The Museum of Modern Art, New York, United States

Christina Pataialii / Photo: Russell Kleyn

Writing

A painter’s painter

By Clare Gemima

07.02.2022

Aotearoa artist Christina Pataialii features in the fifth New Museum Triennial, one of the world’s leading exhibitions for emerging artists. New York-based writer Clare Gemima visits the exhibition and reflects on Pataialii’s rule-breaking approach to painting technique, and the artist’s search for a language for her family history, identity and the cultural “in-between”.

Image courtesy Ann Shelton/Denny Dimin Gallery

Writing

Ann Shelton’s Strange Flowers Set the Stage

By Katie White

14.04.2021

Inspired by ikebana, the Japanese art of flower arrangement, Ann Shelton's photographs subtly recall both ancient and contemporary female archetypes and the subversive histories of natural medicine - a sharp reminder of our forgotten affinities with nature in the current moment of climate crisis and the ongoing politicisation of female bodies.

Writing

Listening Like Breathing

By Ron Hanson

09.12.2020

Although an influential figure in the development of sound art, New York-based Annea Lockwood hasn't experienced the same level of exposure in New Zealand as she has experienced internationally. In this piece, White Fungus' editor Ron Hanson outlines his journey discovering Lockwood's work and speaks to the artist about her impressive career and pivotal developments in her field.

Writing

Making Art in the time of COVID-19

By Chloe Lane

28.05.2020

Two US-based New Zealand artists - Amy Howden-Chapman in New York and Emma McIntyre in Los Angeles - share their experience of the Covid-19 lockdown, how it has impacted their practice and everyday life, and discuss the possible ecological outcomes of the lockdown, including the shifting of art practices to the online world.