Dane Mitchell in We Are Electric, curated by Anna Briers
14 February —
24 June 2023
University of Queensland Art Museum, Brisbane, Australia
Dane Mitchell, Gertrude Studio residency
01 February 2023 —
01 February 2025
Gertrude Contemporary, Melbourne, Australia
A Time of Uncertainties – Remodelling Reality
By Zsófia Danka
Considering our altered experience of time in a moment marked by crisis, curator and art critic Zsófia Danka looks to Extended Present – Transitional Realities, a group exhibition at Budapest's Ludwig Museum of Contemporary Art featuring Aotearoa New Zealand artist Dane Mitchell that explores notions of transience, the failure of modernity, and the possibility of change.
Dane Mitchell, EXTENDED PRESENT – TRANSIENT REALITIES
08 April —
04 September 2022
Ludwig Múzeum, Budapest, Hungary
Dane Mitchell, Double Vision
21 April —
12 June 2022
Tai Kwun, Hong Kong
An interview with Dane Mitchell
By Contemporary HUM
HUM's editorial team sat down with artist Dane Mitchell to discuss his work for the New Zealand Pavilion at the 58th Venice Biennale, Post hoc. The work, both ambitious in scale and subject, has sparked discussions on global climate change and meditations on what has truly disappeared from the world.
Dane Mitchell, Post hoc on NTS Radio
01 August 2021 —
01 August 2022
NTS Radio, online
HUM live from the Venice Biennale
Updates from the vernissage
For the past three editions, the HUM team has attended the vernissage of La Biennale di Venezia in Italy. We bring you live coverage during the opening week, not only from the official New Zealand pavilion, but also from collateral events featuring artists from Aotearoa. In addition to posting daily blog entries, videos and images, we also publish exclusive interviews with some of the New Zealand artists and arts practitioners involved in putting together this major international event.
Dane Mitchell at Bunkier Sztuki
16 December 2017 —
18 March 2018
Bunkier Sztuki Gallery of Contemporary Art, Krakow, Poland
Dane Mitchell at Christopher Grimes Gallery
05 May —
16 June 2018
Christopher Grimes Gallery, Santa Monica, U.S.A.
Dane Mitchell in OTIUM #3
21 June —
09 September 2018
Institut d’art contemporain, Villeurbanne/Rhône-Alpes, France.
Dane Mitchell in Play Kortrijk 2018
23 June —
11 November 2018
Play Kortrijk 2018, Kortrijk, Belgium.
Dane Mitchell at Château de Rentilly, Paris
17 March —
21 July 2019
Frac île-de-france, le château de Rentilly, France.
Dane Mitchell: Post hoc, New Zealand Pavilion at the Venice Biennale
11 May —
24 November 2019
Palazzina Canonica, Venice, Italy.
Dane Mitchell in KölnSkulptur #10
01 August 2020 —
31 July 2022
Skulpturenpark Köln, Cologne, Germany
Dane Mitchell at Bangkok Art Biennale
12 October 2020 —
31 January 2021
BAB Box, One Bangkok, Thailand
An abundance of loss
By Zara Stanhope
As part of HUM’s coverage of La Biennale di Venezia, we’ve invited Zara Stanhope, Lead Curator of the New Zealand Pavilion, to analyse Dane Mitchell’s work Post hoc and its lists of bygone things, as well as the artist's other major works exhibited at Mori Art Museum, Tokyo, Auckland Art Gallery and Raebervonstenglin, Zurich.
HUM live from the 2019 Venice Biennale
By Contemporary HUM
HUM brings you live blog posts, videos, and exclusive images from the opening week of May You Live In Interesting Times, The 58th International Art Exhibition – La Biennale di Venezia, including Dane Mitchell's Post hoc for the New Zealand Pavilion.
An interview with Dame Jenny Gibbs
By Pauline Autet
As the commissioner of the New Zealand Pavilion in the years 2001, 2003 and 2019, Dame Jenny Gibbs has unparalleled knowledge on the history of New Zealand at the Venice Biennale. HUM's Editor Pauline Autet, speaks with Gibbs about the forthcoming biennale and about Dane Mitchell's project for the prestigious international exhibition.
Dane Mitchell: An Aesthetic Contagion
By Marie de Brugerolle
Dane Mitchell's exhibition OTIUM #3 at the Institut d'art contemporain - Villeurbanne in France, was an invitation to produce and exhibit works related to the dimensions of time and space, as part of an ongoing prospective series of exhibitions linked to 'métaphysiques cosmomorphes', a term taken from Pierre Montebello's philosophical research. French art historian and curator Marie de Brugerolle explores Mitchell's work within this context and his wider practice.