Industry

Calendar

Kate Newby, Live near friends

02 November —
20 December 2024

Fine Arts, Sydney, Gadigal Lands Sydney, Australia

Calendar

Yukari 海堀 Kaihori, KAIR Artist Residence 2024 Exhibition and Art Tour

26 October —
10 November 2024

Kamiyama-cho Noson Kankyo Kaizen Center, Kamiyama, Japan

Calendar

Kate Newby, WHO IS THIS SONG?

21 September —
09 November 2024

COOPER COLE, Tkaronto Toronto, Canada

Calendar

Matthew Galloway, Empty Vessels

01 September —
30 September 2024

Piccadilly Lights, London, UK

Calendar

Alicia Frankovich, And This Time the Well Is Alive

17 August —
13 October 2024

Gertrude Contemporary, Naarm Melbourne, Australia

Calendar

Dane Mitchell, An Unbroken Surface

17 May —
08 June 2024

Gertrude Glasshouse, Naarm Melbourne, Australia

Calendar

Rozana Lee, Visiting Fellows Programme

01 April —
30 April 2024

Leibniz Institute for Regional Geography (IfL), Leipzig, Germany

Calendar

Ilke Gers in Building Castles in the Sky

05 April —
21 April 2024

various locations in Ghent, Belgium

Calendar

Simon Denny, Dungeon

21 February —
30 March 2024

Petzel Gallery, New York, USA

Calendar

Simon Denny, Multi-User Dungeon (MUD)

21 February —
30 March 2024

Petzel Gallery, New York, USA

Calendar

Simon Denny, Landscapes

09 November —
20 December 2023

Fine Arts, Sydney, Sydney, Australia

Calendar

Rozana Lee, The Zhelezka Project

19 August —
03 September 2023

Kazakhstan, Kyrgyzstan, Uzbekistan

Calendar

Simon Denny, Merge

05 November 2022 —
08 January 2023

Heidelberger Kunstverein, Heidelberg, Germany

Writing

An interview with Dane Mitchell

By Contemporary HUM

24.06.2019

Contemporary HUM's editorial team sat down with artist Dane Mitchell to discuss his work for the New Zealand Pavilion at the 58th Venice Biennale, Post hoc. The work, both ambitious in scale and subject, has sparked discussions on global climate change and meditations on what has truly disappeared from the world. 

Writing

Taiwan-New Zealand Dialogue

By Catherine George, Catherine Lee, Isis Mingli Lee, Ron Hanson, Wan-Jung Wei

22.12.2020

A panel discussion exploring new ways of making art and connecting with audiences amid Covid-19 in New Zealand and Taiwan. Held on October 24 2020 and organised by the Taiwan Cultural Policy Research Association, as part of the Tua-Tiu-Tiann International Festival of Arts (TTTIFA).

Writing

Treatise as Exhibition

By Amira Gad

10.08.2020

In Part Two of this two-part conversation, curator Amira Gad and artist Simon Denny discuss Mine, an exhibition at MONA in Australia for which Denny created a 3D model of a proposed worker’s cage for Amazon; Proof of Work, Denny's 2018 curatorial project at Schinkel Pavillon in Berlin; as well as his participation in Vaudeville, a theatrical journalism experience organised by the Financial Times.

Writing

Treatise as Exhibition

By Amira Gad

20.07.2020

In the first piece of this two-part conversation, Aotearoa artist Simon Denny speaks about his recent projects, including his 2020 solo show at Altman Siegel in San Francisco which included former British Prime Minister Margaret Thatcher's scarves and 'Tech-Bro' Patagonia vests, and about corresponding with Peter Thiel after he came to see Denny's show at Michael Lett Gallery in Auckland in 2017.

Writing

Design solves problems and art creates problems

By Eleanor Woodhouse

23.04.2019

A closer look at Biljana Popovic's 12-month Visual Arts Residency at Künstlerhaus Bethanien in Berlin, and how her previous work as a commercial designer informs her current visual arts practice by integrating elements of interior design and architecture. 

Writing

An interview with Martin Basher

By André Hemer

16.03.2018

A conversation between two offshore New Zealand artists: Vienna-based André Hemer and New York-based Martin Basher. Their chat touches on producing art in Trump-era US, display-based practice, Basher’s doctorate, and living in NYC as a New Zealander.

Project

Islands on Sale

Panel discussion in London

A panel discussion organised by Contemporary HUM on globalisation, national identity and the politics of representation at New Zealand Studies Network conference ISLANDS ON SALE, Regent's University London, 1 July 2017. 

Writing

Living Currency

By Henry Babbage

25.03.2021

In (working title) at gr_und project space in Berlin, Frankfurt-based New Zealand artist Alex Chalmers explores how the circulation of commodities shape our thresholds of political implication, drawing our attention to the global economy's reliance on an interdependent network of shipping and delivery services, and our own alienation as consumers from the labour that creates our goods.