Vancouver
Calendar
Te Tangi a te Tūī (The Song of the Tui)
19 October —
29 October 2023
The Cultch, Vancouver, Canada
Calendar
Areez Katki, Vanishing Act
18 June —
08 July 2022
Centre A: Vancouver International Centre for Contemporary Asian Art, Vancouver, Canada
Writing
Caretaker to Caretaker
By Bopha Chhay, Paula Booker
18.01.2022
In Part One of this interview, Vancouver-based Aotearoa curators Paula Booker and Bopha Chhay talk about Chhay’s work as director of non-profit artist-run initiative Artspeak, the meaning of care in a curating role, the relationship between writing and art, and the place of artist-run initiatives in Canada and Aotearoa.
Writing
Caretaker to Caretaker
By Bopha Chhay, Paula Booker
18.01.2022
In Part Two of this interview, Vancouver-based Aotearoa curators Paula Booker and Bopha Chhay talk about Chhay’s work as director of non-profit artist-run initiative Artspeak, the challenges of maintaining a space during COVID-19, what decolonisation in art institutions can be like and working on unceded territory, and curating recent projects around the relationship between art and writing.
Calendar
Sriwhana Spong, The Poem is a Temple
11 September —
27 November 2021
Western Front Gallery, Vancouver, Canada
Calendar
Bridget Reweti and Shannon Te Ao at Or Gallery
12 May —
02 June 2018
Or Gallery, Vancouver, Canada.
Calendar
Ruth Buchanan: Dead Marble
09 June —
28 July 2018
Artspeak, Vancouver, Canada.
Calendar
Transits and Returns at Vancouver Art Gallery
28 September 2019 —
23 February 2020
Vancouver Art Gallery, Canada
Calendar
Maddie Leach: Lowering Simon Fraser
29 September —
04 October 2019
Off-site at New Westminster Quay and Queensborough Bridge billboard, Vancouver, Canada
Writing
What's for - Decolonial - Dinner?
By Tania Willard
18.12.2019
Co-curated by Lana Lopesi, the exhibition Transits and Returns at Vancouver Art Gallery in Canada presents the work of 21 Indigenous artists from Northern America and the Pacific, and includes Aotearoa artists BC Collective, Louisa Afoa, Ahilapalapa Rands, and Edith Amituanai. In this essay, Indigenous Canadian artist and curator Tania Willard contextualises the work within a wider art history and personal history.