Artist-Run Initiative

Writing

Directions in Art Publishing during Covid-19

By Freya Copeland

10.09.2021

Reflecting on the disruptions of the Covid-19 pandemic in the world of independent book publishing, artist, curator and co-founder of Berlin-based Replika Publishing, Freya Copeland writes on the history of artists’ books and the role of independent publishing. She considers the lessons the industry can learn after a year and a half without art book fairs—usually an essential opportunity for publishers to meet collaborators, distributors and other publishers, and how the world of art book publishing might evolve going forward. 

Calendar

Alex Chalmers in (working title)

12 December 2020 —
24 January 2021

gr_und, Berlin, Germany

Writing

Taiwan-New Zealand Dialogue

By Catherine George, Catherine Lee, Isis Mingli Lee, Ron Hanson, Wan-Jung Wei

22.12.2020

A panel discussion exploring new ways of making art and connecting with audiences amid Covid-19 in New Zealand and Taiwan. Held on October 24 2020 and organised by the Taiwan Cultural Policy Research Association, as part of the Tua-Tiu-Tiann International Festival of Arts (TTTIFA).

Writing

Forever Fresh

By Jessica Palalagi

06.11.2020

Jessica Palalagi, co-founder of the In*ter*is*land Collective, describes how their physical base in London, MOKU Pacific HQ, London, has served as a place for tagata Moana in the UK to create and meet since its inception in 2018, and reflects on the highs and lows of the past three years, including their exhibition in late 2019, Mana Moana, Mana Wahine.

 

Writing

An interview with Joel Kirkham

By Catherine Dale

22.10.2020

Based in Japan for the past ten years, Joel Kirkham founded Goya Curtain in Tokyo with fellow artist Bjorn Houtman in 2016, and has since been running the gallery. Together with Catherine Dale, he discusses the project space, the exhibitions it has hosted since opening, including Anoushka Akel's recent show (RED LEGS) HOT HEAD, and the future direction for Goya Curtain.

Writing

The Factory and its Memories

By Kari Schmidt

16.10.2019

A look at artist Matthew Galloway's residency at Cripta 747 in Turin, Italy, and the resulting exhibition The Factory and its Memories, which concentrates on the now defunct Nebiolo factory building, whose history is engrained in Italian graphic design and typography, reflecting Galloway’s own background as a graphic designer.

Writing

Something Different

By Laura Preston

05.09.2019

A look at a series of exhibitions by women artists held at Secession in Vienna, including by New Zealand artist Fiona Connor, who has been based in Los Angeles since 2011. Connor's show, #8, Closed for Installation, Sequence of Events, presented cast bronze pieces alongside architectural interruptions, and was shown in conjunction with German artist Nora Schultz and Palestinian-English artist Rosalind Nashashibi. 

Writing

Spin Slowly, Fighting Gravity

By Samuel Walsh

04.02.2019

Arts facilitator and producer Samuel Walsh reflects on his residency at Zaratan - Arte Contemporânea in Lisbon, Portugal, where he was able to develop ideas for his own artist-run space, Strange Haven, in Tāmaki Makaurau. Although thousands of miles apart, Walsh and the facilitators of Zaratan discovered their shared joys and struggles of running an art space, and the importance of community in their practice.

Writing

Hotel Jaguar

By David Lillington

11.10.2018

HUM commissioned David Lillington to review Amanda Newall's recent project at Exposed Arts Projects in London, which occupies an old Jaguar car dealership. Newall's site-specific response, called Hotel Jaguar, encompasses an eclectic range of works and collaborations with other artists, on topics ranging from Jaguar and Brexit; Trump and witches; social dreaming and murders.