Heritage
Calendar
5 Aotearoa artists and 1 collective, Hawai‘i Triennial 2025 (HT25)
05 February —
04 May 2025
Bishop Museum, Honolulu, Hawai‘i
Calendar
Gill Gatfield, Art+Tech CODAsummit
24 September —
26 August 2025
CODAworx, Washington D.C, USA
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Gill Gatfield, NARS Foundation Exhibition
29 August —
16 September 2025
NARS Foundation, New York, USA
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Gill Gatfield, NARS Foundation International Artist Residency
01 July —
27 September 2025
NARS Foundation, New York, USA
Calendar
Sarah Hudson, Reconciliation, Setouchi Triennale
18 April —
09 November 2025
Megijima, Seto Inland Sea, Japan
Calendar
8 Aotearoa artists and 1 collective, Sharjah Biennial 16: to carry (SB16), co-curated by Megan Tamati-Quennell
06 February —
16 June 2025
Sharjah, United Arab Emirates
Calendar
Taja Vaetoru: Bergman Gallery Rarotonga Residency
06 May —
07 June 2025
Bergman Gallery, Rarotonga, Cook Islands
Writing
Te Matahiapo Collective in Sharjah Biennial 16: to carry
07.05.2025
On the occasion of Sharjah Biennial 16: to carry, Contemporary HUM speaks with Kura Puke, Inahaa Te Urutahi Waikerepuru, Stuart Foster and Mike Bridgman of the research initiative Te Matahiapo Collective. They discuss their multi-media installation work, Ā Ē Ī Ō Ū - Ī Ō Ē Ā Ū: Ko Pari Haruru (2025), and its various resonances in the Biennial and Sharjah at large as an embodied exploration of mātauranga Māori (Māori knowledge systems).
Writing
Albert L. Refiti in Sharjah Biennial 16: to carry
09.04.2025
Architectural theorist and academic Albert L. Refiti speaks to Contemporary HUM from Sharjah Biennial 16, where he presents a selection of his drawn “cosmograms.” He discusses the rich theoretical framework behind his work, including his research into the Sāmoan concept of vā, and the generative complexities of exhibiting in Sharjah.
Project
Sharjah Biennial 16: to carry
In February 2025, Contemporary HUM was on the ground during the opening week of Sharjah Biennial 16: to carry, co-curated by Aotearoa curator Megan Tamati-Quennell with Alia Swastika, Amal Khalaf, Natasha Ginwala and Zeynep Öz.
Sharjah Biennial 16 convenes under the title “to carry”, a multivocal and open-ended proposition that connects stories and traditions across generations and cultures. The five co-curators of Sharjah Biennial 16 present their projects both individually and collectively, gathering under the rubric of a single proposition: What does it entail to carry a home, ancestors and political formations with you?
Megan Tamati-Quennell’s project assembles a significant number of artists and practitioners from Aotearoa New Zealand: Albert L. Refiti, Ana Iti, Fiona Pardington, Kate Newby, Mara TK, Saffronn Te Ratana, Luke Willis Thompson, Michael Parekōwhai and Te Matahiapo Collective, whose projects collectively speak to themes of place, space and whakapapa (genealogy).
Project
Vidéo Club New Zealand, Takiwā Hou: Imagining New Spaces
Partnership
For the second international edition of “Vidéo Club”, FRAC Champagne-Ardenne in France joins forces with Te Tuhi in Aotearoa New Zealand in an exchange initiated by curator Marie Griffay and supported by Contemporary HUM.
In this exchange, FRAC presents works by three Māori moving image artists, Russ Flatt, Kahurangiariki Smith and Suzanne Tamaki, taken from Te Tuhi’s 2024 exhibition Takiwā Hou: Imagining New Spaces. These works use a variety of subject matter, including karaoke, photogrammetry and social networks, to explore Indigenous spaces and possibilities that have yet to see the light of day. Aotearoa audiences can then see works by French artists Anouk Nier-Nantes, Émilie Pierson and Marina Smorodinova, at Te Tuhi in Tāmaki Makaurau Auckland.
Writing
And I dance into the future with the past, as a bird
By Haruko Kumakura
27.12.2024
Writing on Aotearoa New Zealand’s presentation at the 15th Gwangju Biennale, Shannon Te Ao’s Ia rā, ia rā (rere runga, rere raro) - Everyday (I fly high, I fly low) (2021), Haruko Kumakura argues that the work brings into focus what the thematic exhibition of the Biennale misses: a weaving together of the voices of the past, present and future appropriate both to the political context of its exhibition and the social and ecological urgencies of our time.
Calendar
Yukari 海堀 Kaihori, KAIR Artist Residence 2024 Exhibition and Art Tour
26 October —
10 November 2024
Kamiyama-cho Noson Kankyo Kaizen Center, Kamiyama, Japan
Calendar
Sylvia Marsters, E Kura Reitumanava no Rarotonga (Love Letters for Rarotonga)
08 October —
02 November 2024
Bergman Gallery, Rarotonga, Cook Islands
Writing
Crossing Currents: Episode 7
By Contemporary HUM
10.08.2024
Robert Jahnke (Ngāi Taharora, Te Whānau a Iritekura, Te Whānau a Rakairo o Ngāti Porou) speaks to Contemporary HUM about his work Te Wepu MMXXIII, which is featured in the 7th edition of Personal Structures in Venice. Jahnke discusses the influence of Te Wepu, the battle flag of the 19th-century Māori prophet Te Kooti, and how the work highlights a formal whakapapa (genealogy) between Te Kooti, who was not only a religious visionary but an artistic innovator in his own right, and contemporary references to the flag, including by the late sculptor and painter Paratene Matchitt.
Calendar
Talia Smith, 2024 NSW Visual Arts Fellowship (Emerging)
05 July —
08 September 2024
Artspace, Gadigal Lands Sydney, Australia
Calendar
Jasmine Togo Brisby, It Is Not a Place
20 April —
16 June 2024
Institute of Modern Art, Meanjin Brisbane, Australia
Writing
Crossing Currents: Episode 1
By Contemporary HUM
22.06.2024
Aotearoa New Zealand artist Areez Katki speaks to HUM about The Rhapsode’s Tools Will Build the Rhapsode’s House, his presentation in the 7th edition of Personal Structures. Katki discusses the processes and politics of exhibiting in Personal Structures and the two series he produced for the exhibition, which take migrant and queer positionalities as points from which to restore notions of pedagogy and learning from patriarchal, religious dictates to an affectual, instinctual realm of care.
Calendar
Yuki Kihara, Paradise Camp: Homecoming film screening
24 June —
27 June 2024
Espace Encan, La Rochelle, France
Calendar
Hoʻoulu Lāhui: Regenerating Oceania: 13th Festival of Pacific Arts and Culture
06 June —
16 June 2024
Hawaiʻi Convention Center and various locations in Honolulu, Hawaiʻi
Calendar
Eddie Elliott, SUARA / ORO RUA
24 May —
26 May 2024
Singtel Waterfront Theatre, Singapore
Calendar
Areez Katki, The Rhapsode’s Tools Will Build the Rhapsode’s House in Personal Structures
20 April —
24 November 2024
Palazzo Mora, Venice, Italy
Writing
“To see us on our best day.”
By Dávvet Bruun-Solbaak
15.12.2023
Offering a glimpse at the wide range of emotions and encounters that Aotearoa-based artist Maungarongo Te Kawa and Northern Sámi activist Dávvet Bruun-Solbaak share in their multifaceted experiences at different edges of the globe, this conversation takes Te Kawa’s recent residency and touring exhibition in Norway and Sámi territories as a departure point.
Calendar
Yuki Kihara, Project Banaba
04 November 2023 —
19 February 2024
Bernice Pauahi Bishop Museum, Honolulu, Hawaiʻi
Calendar
Yuki Kihara, Art Basel Conversation
12.30PM — 1.30PM
30 March 2024
Hong Kong Convention & Exhibition Centre, Hong Kong
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Areez Katki, As this chin melts on your knee
11 January —
24 February 2024
TARQ, Mumbai, India
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Architecture of Aroha, Luleå Biennial 2024
02 March —
26 May 2024
Kulturenshus, Luleå, Sweden
Calendar
Ruth Watson, FLASHBACK
17 November —
15 December 2023
GUSTAV, Herne, Germany
Calendar
The Shape of Time: Art and Ancestors of Oceania
24 October 2023 —
15 January 2024
National Museum of Qatar, Doha, Qatar
Writing
Mataaho Collective at the Dhaka Art Summit
By Pauline Autet
21.04.2020
We finish our first series focusing on the Asia region with Contemporary HUM Editor Pauline Autet interviewing Mataaho Collective on their participation in the Dhaka Art Summit, Bangladesh in February 2020, where they partook in panel discussions and practised a type of waiata (song) called a pātere.