Israel Birch, Nikau Hindin, Jeremy Leatinu’u, Nova Paul and Rachael Rakena at Naadohbii: To Draw Water
14 August 2021 —
17 February 2022
WAG-Qaumajuq, Winnipeg Art Gallery, Canada
17 July —
31 October 2021
Kaohsiung Museum of Fine Arts, Taiwan
By Julie Nagam
As the inaugural Artistic Director for Nuit Blanche Toronto (2020 and 2022), Dr Julie Nagam is interested in forging new relationships between Indigenous and non-Indigenous communities, in Turtle Island (North America) and internationally, and in the use of digital and new media to express shared experiences of colonialism. Here, Nagam introduces several recent projects undertaken in collaboration with artists and curators from Aotearoa and the new global partnership The Space Between Us, emerging from these cross-cultural exchanges.
By AJ Fata, Anne-Marie Te Whiu, Drew Broderick, Josh Tengan
The third episode of our four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees writer and poet Anne-Marie Te Whiu respond to a discussion between AJ Fata, Josh Tengan, and Drew Kahuʻāina Broderick who explore the concept of time and ancestral knowledge as a path for the historical future.
By Michelangelo Corsaro
In their work for the 13th Gwangju Biennale, the Bad Fiji Gyals call attention to the legacy of Girmitiya women, indentured labourers from the Indian subcontinent recruited by British colonial authorities to work on Fiji’s sugarcane plantations. Associate Curator Michelangelo Corsaro writes about the collaborative work of Aotearoa-based artist Quishile Charan and US-based artist Esha Pillay.
Contemporary HUM is excited to launch our partnership with AWARE: Archives of Women Artists, Research and Exhibitions. The Paris-based non-profit organisation, founded in 2014, focuses on the creation, indexation and distribution of information on women artists of the 20th century. During our partnership with AWARE we have worked on including more Aotearoa New Zealand women artists in their online profiles. AWARE is a great resource for championing women artists and we’re thrilled to be working with them. A huge thanks to Creative New Zealand for making this partnership possible.
By Anne-Marie Te Whiu, Isoa Tupua, Lyall Hakaraia
Our second offering in this four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees Lyall Hakaraia and Isoa Tupua discuss queer communities/scenes in London, witnessing the bare minimum, gentrification, and how to clock an invite to a sex party. Written response by Brisbane-based poet, editor, weaver and festival director Anne-Marie Te Whiu.
A collaboration between In*ter*is*land Collective and Contemporary HUM consisting of four edited online talanoa (conversations) between several tagata Moana (Māori and Pasifika people) across the globe which centre around the principles of talanoa; ofa, mafana, malie and faka'apa'apa (love, warmth, humour and respect) and the ability to have a "reciprocal knowledge exchange".
The talanoa within this series will focus on topics such as life in the diaspora, moana futurism, queer identities and ReMoanafication, and all will be individually responded to in written form by Anne-Marie Te Whiu (Te Rarawa), reminding us of our intricate connection and shared ancestry in Te Moananui-a-Kiwa.
By Afatasi The Artist, Anne-Marie Te Whiu, Momoe i manu ae ala atea’e Tasker
In this first episode of our new special series of talanoa (online conversations) produced in collaboration with In*ter*is*land Collective, Anne-Marie Te Whiu responds to a discussion between Afatasi the Artist and Momoe i manu ae ala atea’e Tasker on identity and how it's expressed in their creative practices, finding their community in various daily rituals while living in the diaspora, and maintaining their connections to 'home'.
By Maya Wilson-Sanchez
Presented earlier this year at Oakville Galleries in Canada, Shannon Te Ao's two-channel video and sound installation Ka mua, ka muri recently opened at Remai Modern, Saskatoon. In this part essay, part dialogue, writer Maya Wilson-Sanchez examines Te Ao's new project, and meditates on the relationships between indigenous populations in colonised nations.
By Zoe Crook
A review of Invisible: a collaborative exhibition between the Detroit Cranbrook Academy of Art, Wellington’s Massey University and the Wrocław Academy of Art and Design. Held at BWA Gallery in Wrocław, Poland, in February 2020, the second iteration of Invisible includes New Zealand artists Kerry Ann-Lee, Simon Eastwood and Lisa Munnelly, Lee Jensen, Angela Kilford, and Jason O’Hara.
By Jon Bywater
The 22nd Biennale of Sydney opened on 14 March 2020 and unfortunately had to close its doors only nine days later due to Covid-19. Prior to its closing, writer Jon Bywater managed to visit NIRIN, looking in particular at participating artists from Aotearoa including Emily Karaka, Elisapeta Heta & John Miller, Lisa Reihana, Kulimoe’anga ‘Stone’ Maka, and FAFSWAG.
By Pauline Autet
We finish our first series focusing on the Asia region with Contemporary HUM Editor Pauline Autet interviewing Mata Aho Collective on their participation in the Dhaka Art Summit, Bangladesh in February 2020, where they partook in panel discussions and practised a type of waiata (song) called a pātere.
By Ysabelle Cheung
The second publication from our special series focusing on the Asia region, looks to Hong Kong gallery Para Site, and its exhibition Koloa: Women, Art, and Technology. The exhibition centres on koloa, or customary women’s arts in Tonga, and features three artists from New Zealand: Tanya Edwards, Nikau Hindin, and Vaimaila Urale.
By Kathryn Weir, Zhang Hanlu
Held at Centre Pompidou in Paris, France, the most recent iteration of the ongoing project Cosmopolis included Aotearoa artists Lisa Reihana and Nandita Kumar amongst 40 international artists, all exploring technology and alternative ontologies. Chief curator, Kathryn Weir, and associated curator Zhang Hanlu share their reflections on Cosmopolis #2: rethinking the human.
By Millie Riddell
The 16th Istanbul Biennial, titled The Seventh Continent, had a thematic focus on the large garbage patch currently occupying 3.4 million square kilometres of ocean, near Hawaii and Japan. Despite focusing on this area, Pacific artists were not present at the Biennial. Writer Millie Riddell explores the omission of Pacific artists, and what it means to not address or include the people most affected by environmental pollution and climate change.
By Tania Willard
Co-curated by Lana Lopesi, the exhibition Transits and Returns at Vancouver Art Gallery in Canada presents the work of 21 Indigenous artists from Northern America and the Pacific, and includes Aotearoa artists BC Collective, Louisa Afoa, Ahilapalapa Rands, and Edith Amituanai. In this essay, Indigenous Canadian artist and curator Tania Willard contextualises the work within a wider art history and personal history.
By James Belich, Lana Lopesi, Matariki Williams, Pauline Autet
Missed HUM's panel discussion Whose Oceania? in London? We're excited to publish the transcript of this discussion, which proved to be a stimulating talk interrogating the themes and issues addressed in the exhibition Oceania at the Royal Academy of Arts in London, as well as the responses to it from across Te Moana Nui a Kiwa.
Panel discussion in London
Whose Oceania? is Contemporary HUM’s second public panel discussion, which will coincide with the opening of the Oceania exhibition, on at the Royal Academy of Arts in London.
This exhibition is a major international event for Aotearoa New Zealand and the Pacific, and we have decided to take the opportunity to bring together several professionals from different backgrounds and practices in Māori and Pacific art, as well as colonial studies, to offer informed and critical responses to the show.
By Ahilapalapa Rands, Jo Walsh
London-based cultural producer Jo Walsh and artist Ahilapalapa Rands discuss some of the exhibitions and programmes taking place in the UK to mark the 250th anniversary of Captain Cook's departure to the Pacific, which also resonates to many as the start of colonisation in Moana-Nui-A-Kiwa. In this conversation piece, Rands and Walsh focus in on the projects they have been involved in, working with The British Library, Whitby Library and other UK institutions, and their efforts to disrupt the major narratives surrounding Cook.
By Jon Bywater
New Zealand critic Jon Bywater discusses documenta 14 and the work of participating artists from Aotearoa New Zealand, Ralph Hotere, Mata Aho Collective and Nathan Pohio, marking the first time New Zealand artists have been included in documenta.
By Contemporary HUM
As part of Contemporary HUM’s series of interviews with New Zealand artists exhibiting during the 57th Venice Biennale, we talk to Lisa Reihana, New Zealand's representative at the Biennale about her experience in Venice.
By Alastair Carruthers, Contemporary HUM, Mata Aho Collective, Tessa Giblin
In this panel discussion between Erena Baker and Bridget Reweti (Mata Aho Collective), Alastair Carruthers (Commissioner of NZ at Venice 2017) and Tessa Giblin (Commissioner and Curator of Ireland at Venice 2017), the participants discuss globalisation, national identity, the politics of representation and New Zealand's role in contemporary international art discourse.
Panel discussion in London
A panel discussion organised by Contemporary HUM on globalisation, national identity and the politics of representation at New Zealand Studies Network conference ISLANDS ON SALE, Regent's University London, 1 July 2017.
By Mandy Alves
Canadian writer Mandy Alves talks with New Zealand curator Gregory Burke about his role as CEO and Executive Director at the Remai Modern Art Gallery of Saskatchewan in Saskatoon, Canada.
By Aaron Lister, Damian Skinner
Writer and curator Aaron Lister talks to art historian Damien Skinner about the 'New Commonwealth Internationalism', a moment of post-WWII postcolonial internationalism in the British art scene, and its influence on British and New Zealand art history.