Community

Calendar

Hana Pera Aoake, Delfina Foundation residency

02 April —
23 June 2024

Delfina Foundation, London, UK

Writing

We Work Well Together

By Julia Craig

11.02.2024

Presented at Phillida Reid, Claudia Kogachi’s Labour of Love and Nova Paul’s Hawaiki offer frames through which to view the role of collaborative practice in building worlds of love, care, and self-determination.

Calendar

Ilke Gers in Building Castles in the Sky

05 April —
21 April 2024

various locations in Ghent, Belgium

Calendar

FAFSWAG Arts Collective, Asia TOPA Radar

6.30PM — 9.00PM
27 March 2024

The Substation, Naarm Melbourne, Australia

Calendar

FAFSWAG Arts Collective, Queer PHOTO: Alteration

27 January —
24 March 2024

The Substation, Melbourne, Australia

Writing

Mata Aho Collective at the Dhaka Art Summit

By Pauline Autet

21.04.2020

We finish our first series focusing on the Asia region with Contemporary HUM Editor Pauline Autet interviewing Mata Aho Collective on their participation in the Dhaka Art Summit, Bangladesh in February 2020, where they partook in panel discussions and practised a type of waiata (song) called a pātere.

Project

Forever Fresh Talanoa Series

Partnership

A collaboration between In*ter*is*land Collective and Contemporary HUM consisting of four edited online talanoa (conversations) between several tagata Moana (Māori and Pasifika people) across the globe which centre around the principles of talanoa; ofa, mafana, malie and faka'apa'apa (love, warmth, humour and respect) and the ability to have a "reciprocal knowledge exchange".

The talanoa within this series will focus on topics such as life in the diaspora, moana futurism, queer identities, and ReMoanafication, and all will be individually responded to in written form by Anne-Marie Te Whiu (Te Rarawa), reminding us of our intricate connection and shared ancestry in Te Moananui-a-Kiwa.

Calendar

Pelenakeke Brown and Sally Tran, BRIClab residency

01 September 2023 —
01 September 2024

BRIC, New York City, USA

Writing

Forever Fresh Talanoa Series 2.3

By Ioana Gordon-Smith, Michel Mulipola, Skawennati, Solomon Enos

07.06.2023

Our third episode in this new talanoa series, produced in collaboration with In*ter*is*land Collective, sees Michel Mulipola, Skawennati and Solomon Enos discuss the importance of shapeshifting, imagination and innovation in Indigenous storytelling, as well as in their respective practices. Written response by Aotearoa writer and curator Ioana Gordon-Smith.

Calendar

Ilke Gers and Tanu Gago, Into Nature: Time Horizons

29 July —
29 October 2023

various venues around Drenthe, the Netherlands

Writing

Rocks on Wheels and Flying Shoes

By Rosemary Forde

28.03.2023

Curator Rosemary Forde explores the art-historical and civic context in which artist Mike Hewson’s recent public playground in Naarm Melbourne, Rocks on Wheels, has landed. 

Writing

Forever Fresh Talanoa Series 2.2

By Anne-Marie Te Whiu, Grace Iwashita-Taylor, Ioana Gordon-Smith, Lana Lopesi

12.12.2022

Our second episode in this four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees Anne-Marie Te Whiu, Grace Iwashita-Taylor and Lana Lopesi discuss their recent writing initiatives, each focused on fostering the conditions that allow Indigenous writing to flourish. Written response by Aotearoa writer and curator Ioana Gordon-Smith.

Project

HUM stands for NZ at Venice

Special feature

In light of the review of Aotearoa New Zealand’s ‘official’ presence at the Venice Biennale, HUM invited New Zealanders on- and off-shore who have visited or been involved in ‘New Zealand at Venice’ projects—as artists, pavilion attendants, exhibition installers or designers—to reflect on how involvement in (or experience of) our previous national pavilions have influenced their own careers, and the international profile of contemporary art from Aotearoa.

Writing

Aotearoa Reviews its Official Participation in the Venice Biennale

By Anna Brown, Bruce Barber, Heather Galbraith, Hutch Wilco, James Goggin, Jennifer Flay, Jhana Millers, Julia Holderness, Laura Preston, Michael Stevenson, Ron Hanson, Sophie Thorn, Tessa Giblin, Tessa Laird

26.09.2022

In light of the current review of Aotearoa New Zealand’s ‘official’ presence at the Venice Biennale, HUM invited responses from New Zealanders on- and off-shore who have visited or been involved in ‘New Zealand at Venice’ projects, as artists, pavilion attendants, exhibition installers or designers, to enable insights into how involvement in (or experience of) our previous national pavilions have influenced people’s own careers, and the profile of contemporary art from Aotearoa.

Writing

Forever Fresh Talanoa Series 2.1

By Ioana Gordon-Smith, Rosanna Raymond, Tanu Gago

10.10.2022

Our first episode in this four-part talanoa series, produced in collaboration with In*ter*is*land Collective, has Rosanna Raymond and Tanu Gago reflecting on recent international projects and the difficulties of being Moana artists working in countries with cultural amnesia over their colonial pasts. Written response by Aotearoa writer and curator Ioana Gordon-Smith.

Writing

documenta fifteen or lumbung one?

By Bruce E. Phillips

12.08.2022

For documenta fifteen, the arts collective FAFSWAG were invited to participate as members of the lumbung process established by this year’s curatorial collective ruangrupa. In the absence of the trophy artist phenomenon so entrenched within mega-exhibitions, Bruce E. Phillips responds to the work of different participating collectives exhibiting in Kassel and discusses how introducing a non-European exhibition-making concept into the heart of arguably Europe’s most revered art event was bound to confound those unwilling to consider a differing perspective.

Calendar

Fiona Connor, Behind the door

13 August —
01 October 2022

Fine Arts, Sydney, Australia

Writing

The Way Through Doors

By Andrew Berardini

22.06.2022

Andrew Berardini visits Fiona Connor’s solo exhibition at Château Shatto in LA, where the artist’s carefully rendered replicas of the doors of closed down clubs conjure up memories of forgotten youth. 

Writing

Caretaker to Caretaker

By Bopha Chhay, Paula Booker

18.01.2022

In Part One of this interview, Vancouver-based Aotearoa curators Paula Booker and Bopha Chhay talk about Chhay’s work as director of non-profit artist-run initiative Artspeak, the meaning of care in a curating role, the relationship between writing and art, and the place of artist-run initiatives in Canada and Aotearoa.

Writing

On Civicness and Participating in Public Life through Art Practice - Panel discussion transcript

By Cat Auburn, Daniel Malone, Pauline Autet, Ruth Buchanan

14.12.2021

For Contemporary HUM’s third panel in October 2021, On Civicness, we sat down with Cat Auburn, Ruth Buchanan, and Daniel Malone in Berlin to talk about their practices, recent projects and what “civicness” means to them as Aotearoa artists working abroad—spanning Polish experimental theatre, the memory functions of NFTs and the power relations of collecting institutions. Read the full transcript of the panel discussion here!

Writing

Forever Fresh Talanoa Series

By Anne-Marie Te Whiu, Ariana Davis, Jaimie Waititi, Jessica Palalagi

25.09.2021

The final episode in our four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees writer and poet Anne-Marie Te Whiu respond to a discussion between Ariana Davis, Jessica Palalagi and Jaimie Waititi as they explore the idea of ReMoanafication, individual and collective connections, and reclaiming narratives.

Writing

Some Kind of Travelogue

By Esther Lu

18.06.2021

Aotearoa-based artist Sorawit Songsataya’s practice explores the many tangents that connect and redefine our understandings of subjectivity and ecology. Songsataya was invited to participate in the group show, The Turn of the Fifth Age, at Selasar Sunaryo Art Space in Bandung, Indonesia, earlier this year, where they exhibited their work Jupiter. Here, co-curator Esther Lu responds to that work.

Writing

Forever Fresh Talanoa Series

By AJ Fata, Anne-Marie Te Whiu, Drew Broderick, Josh Tengan

29.05.2021

The third episode of our four-part talanoa series, produced in collaboration with In*ter*is*land Collective, sees writer and poet Anne-Marie Te Whiu respond to a discussion between AJ Fata, Josh Tengan, and Drew Kahuʻāina Broderick who explore the concept of time and ancestral knowledge as a path for the historical future.

Writing

Forever Fresh

By Jessica Palalagi

06.11.2020

Jessica Palalagi, co-founder of the In*ter*is*land Collective, describes how their physical base in London, MOKU Pacific HQ, London, has served as a place for tagata Moana in the UK to create and meet since its inception in 2018, and reflects on the highs and lows of the past three years, including their exhibition in late 2019, Mana Moana, Mana Wahine.

 

Writing

Screaming Strawbears and other Strange Engagements

By Tessa Laird

05.07.2019

From Morris dancing to costume making, Berlin-based artist Matthew Cowan and arts writer Tessa Laird discuss Cowan's interest in folklore, the function of tradition in the modern world and the influence of surrealism on his practice. Cowan's exhibition The Scream of the Strawbear opens at Kunsthalle Giessen in Germany on 7 September 2019.

Writing

Raw Matériel

By Emil McAvoy

10.06.2019

Within the greater context of the recent massacre in Christchurch, San Fransisco-based New Zealand photographer Jono Rotman discusses his new work Matériel which depicts a series of privately owned guns in the US, and his recent publication Mongrelism, which features the New Zealand-based gang, the Mighty Mongrel Mob.

Writing

Mana Moana in the UK’s year of Captain Cook

By Ahilapalapa Rands, Jo Walsh

21.09.2018

London-based cultural producer Jo Walsh and artist Ahilapalapa Rands discuss some of the exhibitions and programmes taking place in the UK to mark the 250th anniversary of Captain Cook's departure to the Pacific, which also resonates to many as the start of colonisation in Moana-Nui-A-Kiwa. In this conversation piece, Rands and Walsh focus in on the projects they have been involved in, working with The British Library, Whitby Library and other UK institutions, and their efforts to disrupt the major narratives surrounding Cook.

Writing

He Landed in a Place of Absolute Magic

By Hamish Coney, Kevin Ireland

03.04.2018

Although born in Yorkshire, the late artist Michael Illingworth immigrated to Aotearoa at age 20 in the early 1950s, before returning to England and Europe for a brief but formative period in 1959. Hamish Coney interviews the poet and writer Kevin Ireland OBE, one of Illingworth’s oldest New Zealand friends, on their London years (1959-61); a period of, as Ireland explains, 'high-octane education and inspiration'.

Writing

Passing Torches

By Barbara Sirieix, Caterina Riva

08.12.2016

A conversation between writers and curators Barbara Sirieix and Caterina Riva, reflecting on their practices and time spent in Aotearoa at The Physics Room in Christchurch and Artspace New Zealand in Auckland, and their work exhibiting Aotearoa artists Tahi Moore, Alicia Frankovich and William Hsu.

Project

Yuki Kihara at the 59th Venice Biennale

Partnership

Small island ecologies, climate change, queer rights, Gauguin’s gaze, intersectionality and decolonization; these are just some of the topics explored by interdisciplinary artist Yuki Kihara in her project Paradise Camp, representing New Zealand at the 59th Venice Biennale in Italy. HUM is proud to be a media partner of this exciting project, open to the public from 23 April - 27 November 2022.