Amsterdam
Writing
Feeling, pressed
By Ash Kilmartin
18.08.2023
Zooming-in to personal memory and bodily encounter, Rotterdam-based artist Ash Kilmartin writes on the work of Alexis Hunter (1948–2014) in An Emergency Exit Sealed Shut at Kunstverein, Amsterdam.
Calendar
Lisa Walker juwelierster / Jewellery Star
18 May —
21 May 2023
International Jewellery Art Fair, Amsterdam, the Netherlands
Calendar
Alexis Hunter, An Emergency Exit Sealed Shut
22 April —
03 June 2023
Kunstverein, Amsterdam, the Netherlands
Calendar
Anh Trần, Now that we have settled by the water’s edge
15 October —
09 November 2022
Galerie Fons Welters, Amsterdam, the Netherlands
Writing
Abstracting Ambivalence
By Eloise Callister-Baker
25.06.2020
From putting her Doctor of Fine Arts on hold to dealing with the isolation caused by the Coronavirus lockdown, Vietnamese/Aotearoa artist Anh Trần discusses why she wanted to take on the two-year Rijksakademie artist program in the Netherlands, her move to Amsterdam and how it's impacted her practice and life.
Calendar
Tash Keddy, everything feels like just feeling everything all the time
12 May —
28 May 2022
Mutter, Amsterdam, The Netherlands
Calendar
Stephen Whittaker, A Moment
08 April —
17 April 2022
The Tesoro Collection, Amsterdam, The Netherlands
Calendar
Anh Trần, Group show at Galerie Fons Welters
12 March —
30 April 2022
Galerie Fons Welters, Amsterdam, The Netherlands
Calendar
Yonel Watene, Needles in the Hay
12 December 2021 —
31 January 2022
Prinsengracht 675, Amsterdam, The Netherlands
Calendar
Simon Morris: A Whole and Two Halves
05 November —
02 December 2017
PS Projectspace, Amsterdam, The Netherlands
Calendar
Anh Trần in residence at The Rijksakademie
01 January 2020 —
30 May 2022
The Rijksakademie, Amsterdam, the Netherlands
Writing
Playing with Gender at the Tropenmuseum
By Millie Riddell
08.10.2020
What a Genderful World, the current exhibition at Amsterdam's Tropenmuseum, focuses on gender in the modern world and features Aotearoa artist Yuki Kihara; the next representative for New Zealand at the Venice Biennale. Writer Millie Riddell explores how the works presented function within the anthropological lens used in this exhibition and the balance between the genuine discussions of gender and the corporate and colonial undertones of the presentation.