Writing

Stirring Motion

By Stefanie Bräuer

20.02.2020

Art Historian Stefanie Bräuer takes us through Museum Tinguely’s recent comprehensive exhibition of New Zealand artist Len Lye, exploring Lye’s international life, his move from film to kinetic sculptures and the relationship between the museum's namesake, fellow kinetic sculptor Jean Tinguely.

Writing

Handshake 5: In Dialogue

By Roseanne Bartley

22.01.2020

A look at Handshake, a project dedicated to developing emerging New Zealand jewellers nationally and internationally, and their recent exchange with Coda Museum in the Netherlands. Participating jewellers from Aotearoa include Neke Moa, Vivien Atkinson, Sarah Read, Becky Bliss, Vanessa Arthur, Sarah Walker-Holt, Sandra Schmid, Nadene Carr, Caroline Thomas, Brendon Monson, Nik Hanton, and Kelly McDonald.

Writing

Always in Transit

By Aaron Lister

18.09.2019

A conversation with Yona Lee about her new site-specific installation, In Transit (Highway) (2019), presented at the 15th Lyon Biennale, her training as a cellist, and the development of this ongoing project. With an introduction from Daria de Beauvais, Senior Curator at the Palais de Tokyo in Paris and Co-Curator of this year's Biennale.

Writing

The Discreet Charm of Chance

By Jari Niesner

23.08.2019

In her recent exhibition Following the Rubber Trails, at Frappant Galerie in Hamburg, Germany, Xin Cheng addresses the politics, history and philosophy of rubber, in its varying forms. Writer Jari Nieser explores the artist's performance, film and installation.  

Writing

An interview with Dane Mitchell

By Contemporary HUM

24.06.2019

HUM's editorial team sat down with artist Dane Mitchell to discuss his work for the New Zealand Pavilion at the 58th Venice Biennale, Post hoc. The work, both ambitious in scale and subject, has sparked discussions on global climate change and meditations on what has truly disappeared from the world. 

Writing

Raw Matériel

By Emil McAvoy

10.06.2019

Within the greater context of the recent massacre in Christchurch, San Fransisco-based New Zealand photographer Jono Rotman discusses his new work Matériel which depicts a series of privately owned guns in the US, and his recent publication Mongrelism, which features the New Zealand-based gang, the Mighty Mongrel Mob.

Writing

“Nothing consoles you like despair”

By Boaz Levin

22.03.2019

The work of Berlin-based artist Richard Frater addresses the devastating impact of climate change on our environment, and the despair and human complicity felt in this global phenomenon. In this essay, artist, writer, and curator Boaz Levin unpacks Frater's recent exhibitions in Germany and New Zealand.

Writing

Whose Oceania?

By James Belich, Lana Lopesi, Matariki Williams, Pauline Autet

14.11.2018

Missed HUM's panel discussion Whose Oceania? in London? We're excited to publish the transcript of this discussion, which proved to be a stimulating talk interrogating the themes and issues addressed in the exhibition Oceania at the Royal Academy of Arts in London, as well as the responses to it from across Te Moana Nui a Kiwa.

Writing

Mana Moana in the UK’s year of Captain Cook

By Ahilapalapa Rands, Jo Walsh

21.09.2018

London-based cultural producer Jo Walsh and artist Ahilapalapa Rands discuss some of the exhibitions and programmes taking place in the UK to mark the 250th anniversary of Captain Cook's departure to the Pacific, which also resonates to many as the start of colonisation in Moana-Nui-A-Kiwa. In this conversation piece, Rands and Walsh focus in on the projects they have been involved in, working with The British Library, Whitby Library and other UK institutions, and their efforts to disrupt the major narratives surrounding Cook.

Writing

Feminist Hieroglyphics

By Louise Lever

25.06.2018

A conversation with London-based artist Sriwhana Spong about Spong's practice and in particular her recent video work A hook but no fish, 2017, originally presented at the Pump House Gallery in London, which speculates upon a secret language invented by a mystic 12th century abbess, Hildegard of Bingen.

Writing

Maddie Leach: The Grief Prophesy

By Hjalmar Falk

08.06.2018

Maddie Leach's project The Grief Prophesy, created for the Gothenburg International Biennale for Contemporary Art (GIBCA) 2017, addresses the disturbing and intriguing circumstances surrounding an alleged Satanic murder, committed by members of a well-known Swedish black metal band. Swedish historian Hjalmar Falk discusses the work.

Writing

The Transcendent and Domestic in Joanna Margaret Paul's Films

By Eleanor Woodhouse

19.04.2018

Artist, poet and filmmaker, Joanna Margaret Paul passed away suddenly in 2003 leaving behind a vast archive of never-before-seen work. London-based writer Eleanor Woodhouse explores Paul’s practice, and considers the significance of her work being shown abroad, most recently the programme of her filmic work touring the UK: Through a Different Lens.

Writing

Learning from Athens (There and Elsewhere)

By Laura Preston, Wystan Curnow

18.12.2017

​This is the second part of a correspondence between Laura Preston and Wystan Curnow, in which the two writers' share memories and snapshots of journeys through the art world from 1987 to 2007 and 2017.

Writing

With the sun aglow, I have my pensive moods

By Andrew Clifford

04.12.2017

Andrew Clifford writes on Shannon Te Ao’s installation, With the sun aglow I have my pensive moods, one of four key new commissions for the 2017 Edinburgh Art Festival.

Writing

Seeing documenta 14 from the other south

By Jon Bywater

20.10.2017

New Zealand critic Jon Bywater discusses documenta 14 and the work of participating artists from Aotearoa New Zealand, Ralph Hotere, Mata Aho Collective and Nathan Pohio, marking the first time New Zealand artists have been included in documenta.

Writing

An interview with Bruce Barber

By Contemporary HUM

22.09.2017

As part of Contemporary HUM's series of interviews with New Zealand artists exhibiting during the 57th Venice Biennale, we talk with Bruce Barber about his work Party without Party (2017), included in the exhibition Personal Structures: Open Borders at the Palazzo Bembo.

Writing

Luke Willis Thompson: A Sister Image

By Frances Loeffler

15.07.2017

Frances Loeffler writes on London-based New Zealand artist Luke Willis Thompson's residency at the Chisenhale Gallery in London, culminating in autoportrait (2017), a video portrait of Diamond Reynolds reflecting Thompson's ongoing enquiry into questions of race, class and social inequality.

Writing

Nature at its Queerest

By Ulrike Gerhardt

20.05.2017

Ulrike Gerhardt reponds to Berlin-based New Zealand artist Alicia Frankovich's first major solo show in Germany, OUTSIDE BEFORE BEYOND at Kunstverein für die Rheinlande und Westfalen, Düsseldorf. 

Writing

Urges of Imperialism Unravelled

By Rhana Devenport

01.05.2017

Rhana Devenport, Curator of the New Zealand Pavilion at the 2017 Venice Biennale, sets the context for Emissaries, Lisa Reihana's exhibition representing Aotearoa New Zealand at the 57th Biennale di Venezia.