Sculpture
Writing
Crossing Currents: Episode 5
By Contemporary HUM
27.07.2024
Contemporary HUM speaks to esteemed Māori sculptor Fred Graham, a pioneering figure in contemporary Māori art who is part of a generation that forged a new path in ngā toi Māori in post-war Aotearoa. Reflecting on his practice of over 70 years, Graham discusses the influence of his teaching and the importance of friends and family, as well as the experience of exhibiting alongside his son, Brett Graham, at the Venice Biennale.
Calendar
Fiona Connor and Francis Upritchard, Sculpture Exhibition
13 June —
03 August 2024
Fine Arts, Sydney, Gadigal Lands Sydney, Australia
Writing
Crossing Currents: Episode 3
By Contemporary HUM
06.07.2024
Contemporary HUM interviews artist Caitlin Devoy about BODYOBJECTS, her presentation in the 2024 edition of Personal Structures in Venice. Speaking to HUM in April 2024, Devoy discusses using humour as a feminist strategy to challenge the power relations encoded in gallery spaces, resulting in works that refuse disembodied objectivity in favour of tactility, subjectivity and intuition.
Writing
Crossing Currents: Episode 2
By Contemporary HUM
29.06.2024
Contemporary HUM interviews Brett Graham (Ngāti Koroki Kahukura, Tainui) about Wastelands (2024), his work in Stranieri Ovunque – Foreigners Everywhere, the 60th International Art Exhibition of the Venice Biennale. Graham discusses Wastelands as a commentary on extractive attitudes to land, the logistics of exhibiting at the Venice Biennale and what it’s like to be included alongside an intergenerational selection of Māori artists, including his father, Fred Graham.
Writing
Crossing Currents: Episode 1
By Contemporary HUM
22.06.2024
Aotearoa New Zealand artist Areez Katki speaks to HUM about The Rhapsode’s Tools Will Build the Rhapsode’s House, his presentation in the 7th edition of Personal Structures. Katki discusses the processes and politics of exhibiting in Personal Structures and the two series he produced for the exhibition, which take migrant and queer positionalities as points from which to restore notions of pedagogy and learning from patriarchal, religious dictates to an affectual, instinctual realm of care.
Calendar
Alex Chalmers, IM GÄSTEZIMMER ZWEI
22 April —
07 June 2024
Sammlung Pohl, Marburg, Germany
Project
Crossing Currents: Aotearoa New Zealand Artists in Venice
Podcast series
Despite there being no national pavilion for Aotearoa New Zealand this year, the 60th Venice Biennale is an historic edition for Aotearoa artists. Not only are there an unprecedented number of artists from Aotearoa featured in Venice – both within the International Exhibition of the Biennale and in concurrent events taking place across the city – but it also features the most Māori artists to be included.
In Crossing Currents: Aotearoa New Zealand Artists in Venice, Contemporary HUM speaks with the artists featured in the 60th Venice Biennale and parallel events Personal Structures and Re-Stor(y)ing Oceania as they reflect on presenting in Venice during an historic year for Aotearoa art, Ngā toi Māori and Indigenous art globally.
Calendar
Dane Mitchell, Summer Workshops on Cosmomorphic Practices
6.00PM — 8.00PM
26 June 2024
Institut d'art Contemporain, Villeurbanne/Rhône-Alpes, France
Calendar
Lisa Reihana, GLISTEN
14 June 2024 —
30 March 2025
National Gallery Singapore, Singapore
Calendar
Alicia Frankovich, I wanna be your anti-mirror
23 May —
18 August 2024
La Trobe Art Insitutue, Bendigo, Australia
Writing
Living Things
16.03.2024
In this short piece, originally put together as a HUMcard mailout for Contemporary HUM's Publishers Circle, Aotearoa-based artist Yukari Kaihori reflects on her two-week residency at Ma Umi Residencies on Ishigaki Island, Japan. The impacts of climate change and marine debris on the subtropical island offer the context for a meditation on the ecological entanglements between objects, animals, and places.