Simon Denny
Calendar
Simon Denny at Art Basel 2018
14 June —
17 June 2018
Art Basel art fair (Buchholz gallery) and Parcours programme, Basel, Switzerland.
Calendar
Proof of Work, curated by Simon Denny
08 September —
21 December 2018
Schinkel Pavilion, Berlin, Germany.
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Simon Denny at Neue Kunsthalle, Mannheim
11 October 2018 —
02 March 2019
Neue Kunsthalle, Mannheim.
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Mladen Bizumic and Simon Denny in Dialogue, co-curated by Simon Rees
23 November 2018 —
26 January 2019
Georg Karl Gallery, Vienna, Austria.
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Simon Denny: Security Through Obscurity
14 January —
22 February 2020
Altman Siegel Gallery, San Francisco, U.S.A.
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Simon Denny at de Young Museum
22 February —
25 October 2020
de Young Museum, San Francisco, U.S.A.
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Simon Denny: Mine
05 September 2020 —
17 January 2021
K21, Dusseldorf, Germany
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Simon Denny, High-rise Berlin
20 November —
31 December 2020
Online project, Schinkel Pavillon
Writing
Treatise as Exhibition
By Amira Gad
10.08.2020
In Part Two of this two-part conversation, curator Amira Gad and artist Simon Denny discuss Mine, an exhibition at MONA in Australia for which Denny created a 3D model of a proposed worker’s cage for Amazon; Proof of Work, Denny's 2018 curatorial project at Schinkel Pavillon in Berlin; as well as his participation in Vaudeville, a theatrical journalism experience organised by the Financial Times.
Writing
Treatise as Exhibition
By Amira Gad
20.07.2020
In the first piece of this two-part conversation, Aotearoa artist Simon Denny speaks about his recent projects, including his 2020 solo show at Altman Siegel in San Francisco which included former British Prime Minister Margaret Thatcher's scarves and 'Tech-Bro' Patagonia vests, and about corresponding with Peter Thiel after he came to see Denny's show at Michael Lett Gallery in Auckland in 2017.
Writing
NZ at Venice
By Will Gresson
20.11.2017
London-based New Zealand writer Will Gresson looks back at the way New Zealand has presented itself at the Venice Biennale, since first officially taking part in 2001. In particular, Gresson shares a personal response to the last five national projects and some thoughts on the relevance of cross-national presentations in the future.